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GLOBAL: NATIONAL: AEROSPACE / MANY FIRSTS : World’s First Rocket with Single Piece 3D Printed Engine launched from Sriharikota

The feat has been achieved entirely through indigenous design and development.

The world’s first rocket with a single piece 3D printed engine was launched from Sriharikota on Thursday by Agnikul Cosmos, the IITMadras-incubated start-up.

The launch was witnessed by various luminaries including Dr S Somanath, Chairman, Indian Space Research Organisation (ISRO), Dr Pawan Goenka, Chairman of IN-SPACe, Rajeev Jyoti, Director (Technical), IN-SPACe, and A Raj Rajan, Director SHAR.

The ISRO chairman said that the success involving many firsts, including the 3D printed semi-cryogenic engine, flight control systems etc. demonstrate the prowess of indigenous design and innovation. “It motivates ISRO to support the Space startups and non-governmental entities for innovation and Atmanirbharata to create a vibrant space ecosystem in the country,” he said.

The feat has been achieved entirely through indigenous design and development after the launch was postponed many a times. ‘Agnibaan – SOrTeD’ Sub-Orbital Technology Demonstrator also has the unique distinction of having been launched from India’s first private launch pad called ‘Dhanush’ established by Agnikul. It is also India’s first semi-cryogenic engine-powered rocket launch.

“The key purpose of this mission, which is also Agnikul’s first flight, is to serve as a test flight, to demonstrate the in-house and home grown technologies, gather crucial flight data and ensure optimal functioning of systems for Agnikul’s orbital launch vehicle, the ‘Agnibaan’,” a statement issued by the company said.

The Agnibaan SOrTeD is powered by a semi-cryogenic engine that uses commercially available aviation turbine fuel or essentially kerosene and medical grade liquid oxygen, according to the company. Agnikul follows up on the first launch made by an Indian space company which was Skyroot Aerospace Private Limited which in 2022 flew a solid fuelled sounding rocket from Sriharikota.

Speaking about the next steps, Prof Satyanarayanan R Chakravarthy, founding advisor, Agnikul Cosmos and also the Head of National Centre for Combustion Research and Development (NCCRD), IIT Madras, said, “We are proud to present India’s first Semi-cryo rocket engine, which is also the world’s most integrated single shot 3D printed piece. It signals the ability to rapidly assemble rockets that is unparalleled.”

The Agnikul team consists of over 200 engineers and is associated with NCCRD at IIT Madras. Additionally, the team is guided by 45 former scientists from ISRO who bring invaluable expertise to the endeavour of democratising access to space, a statement said.

The flagship launch vehicle, ‘Agnibaan’, is designed to be compatible with the mobile launchpad called ‘Dhanush,’ allowing for launch flexibility regardless of location. Agnibaan can be configured to accommodate payloads ranging from 30 kg to 300 kg, ensuring versatility across a wide range of mission requirements, the statement added. The startup is aiming to fly an orbital mission towards the end 2024-2025.

source/content: newindianexpress.com (headline edited)

INTERNATIONAL: MIDDLE EAST: Centuries-old documents from Indian community in Oman digitised for posterity 

The Embassy of India, in collaboration with the National Archives of India (NAI), has completed a special digitisation project for the protection and compilation of age-old documents that give us a peek into individual anecdotes of the people of Oman and India. 

For the preservation of the rich history of the Indian community in Oman, this initiative aims to collate and safeguard valuable historical documents held by the Indian diaspora in Oman, many of whom have been residing in the country for generations.

A two-member expert team from the NAI finished the daunting task on Monday in just over a week starting from May 19.

The event concluded at the embassy premises with a successful digitisation of over 7,000 documents. 

Digitised contents include pictures, receipts, letters, certificates, passports, invoices and notes. These records, sourced from 30 families across Oman, trace back as far as 250 years, providing a unique window into the historical presence and contributions of the Indian community in the region.

Speaking at the event, H E Amit Narang, the Ambassador of India to Oman, said, “Our aim was to compile historical documents so that we can have a databank on the centuries-old relationship that the people of the two countries enjoyed.” 

The documents also showcase how Indians were at the centre of trade among the Arab and African countries. Digitised documents adequately prove how Muscat was always a trade hub for so many countries.

“They reveal a web of historical interactions and economic exchanges, illustrating the pivotal role the Indian community played in the trade networks linking Oman, Arabia and Africa. By preserving these records, the project ensures that future generations can access and learn from this rich heritage.”

A notable aspect of the project was the creation of an oral archive, a first for the NAI. 

Kalpana Shukla, an NAI representative, conducted long interviews with senior members of the community, some as old as 80 years. “This is the first time ever that the NAI has done this type of digitisation. Soon, all these records from Oman will be available for people to see. This digitisation is not only for preservation but also for research,” Kaplana said. 

She added that as these digital archives become accessible, they will serve as a valuable resource for historians, researchers and the general public, fostering a deeper understanding of the contributions of the Indian community to Oman’s development.

source/content: muscatdaily.com (headline edited)

INTERNATIONAL: FASHION : Meet Santanu Das, the Kolkata-based fashion designer who crafted Payal Kapadia’s Cannes 2024 outfit

Payal, who won the Grand Prix Award for her film All We Imagine As Light at Cannes, ordered her outfit for the festival from Santanu’s artisanal clothing brand Maku Textiles.

Filmmaker Payal Kapadia carried a piece of Kolkata with her when she walked onto the stage at Cannes 2024 to receive the Grand Prix Award for All We Imagine As Light on May 25. She was wearing an outfit that was exclusively crafted for her by Kolkata-based artisanal clothing brand Maku Textiles in less than a week.

The Telegraph Online recently caught up with Maku Textiles founder-director Santanu Das, an alumni of National Institute of Design, to know the thoughts and craftsmanship that went into Payal’s outfit.

The Telegraph Online: What was your first thought when you came to know that Payal Kapadia wore an outfit designed by you to receive her Grand Prix Award at the Cannes 2024?

Santanu Das: We are part of history now. It was a very special moment. We understood her achievement is going to live forever and with that we will also be attached to her. I wrote to Payal just after I got to know about her Cannes win. It’s wonderful.

Did you know Payal Kapadia before she ordered the outfit from you? How did she come to know about Maku Textiles?

Santanu Das: No, I didn’t know her before that. Maybe that’s because I am not very social and prefer to live in a cocoon.

I don’t know how her team got in touch with me. Things happened very fast. We had to finish the outfit and deliver it in less than a week. I had to send it to Mumbai, and the last person from her team travelling to Cannes hand-carried the outfit.

Could you decode Payal’s Cannes outfit for us.

Santanu Das: We had two pieces — a jacket and a sleeveless silk dress. She wore the jacket at the screening, but it was designed in such a way that you could see the dress from the front. While collecting the award, Payal wanted to open the jacket.

When we were talking about the outfit, Payal wanted something blue and I had something black — but not very black, black. Our signature colour is indigo, so we created a different tonality of black indigo. We also considered that it could be an emotional as well as a vulnerable moment for her and that’s why I wanted her to feel guarded in our design. We talked about how the design needs to be ironed and what earrings would go with it.

Did you speak to Payal to understand how she actually wanted to present herself on the big stage?

Santanu Das: Oh, yeah, we talked a couple of times. We had a long call where we discussed how to go about the styling. We tried to understand what she generally wears and what she would feel comfortable in as we didn’t want to impose anything on her. We were very aware that she is a film director. She is from the creative world, so anything she wears must match her personality.

You are into artisanal fashion. How do you elaborate on it?

Santanu Das: It’s a segment, which isn’t open and big. This specific segment has only a handful of people coming up with handmade signature designs but in a small batch. We do everything by our hand, making it part of a sustainable network. We mix our identity with the neutral cloth to add character to it.

Your label is made in Kolkata and was founded in 2012 but your focus has always been international…

Santanu Das: Our focus has always been on international sales and curation. We want to invest in developing new things. We are present in Japan, China, Taiwan, South Korea, the US, Europe, France, the UK, the Netherlands, Spain and Italy. Stores buy our clothes and then sell them.

In Kolkata, we have an atelier-cum-factory for people who are too keen to visit. We invite them by appointment. Our team comprises 60 people. We have 200 weavers from West Bengal, and our fabric is handwoven. We do everything such as fabrication, stitching and merchandising in Kolkata.

But some people love your work in India…

Santanu Das: I don’t know if anyone in Kolkata knows about Maku Textiles. A few people in Mumbai and Delhi know about us. More than actresses, we get filmmakers, cinematographers and art directors as clients. Anvita Dutt (creator of Bulbbul, Qala) has all my saris. Meenal Agarwal (production director), Konkona Sen Sharma, Tillotama Shome and Dia Mirza wear Maku Textiles. Anushka Sharma also visited our Kolkata studio while shooting for Pari. Both Anvita and Anushka came to know about us from Meenal.

source/content: telegraphindia.com (headline edited)