Category Archives: Arts, Culture & Entertainment

NATIONAL: BEACON of INDIA INC. : Ratan Tata family tree: From Jamsetji Tata to Maya Tata, know all the members here

Ratan Tata Family tree: Here’s a look at the family lineage of the Tatas.

Ratan Tata complete family Tree: Ratan Naval Tata, chairman emeritus of Tata Sons, passed away at Breach Candy Hospital in Mumbai Wednesday night. He was admitted following age-related health issues and was undergoing treatment at the hospital. Tata, a beacon of India Inc, steered his group amid India’s economic liberalisation and, subsequently, guided its global expansion.

Conferred with the Padma Vibhushan, Tata was considered one of the greatest philanthropists in the country who touched lives of millions through his work in the field of healthcare, education, drinking water and many other areas.

Here’s a look at the family tree of the Tatas

Jamsetji Tata, the founder of the Tata Group was born to Nusserwanji Ratan Tata and Jeevanbai Kavasji Tata, in 1939. apart from Jamsetji, Nusserwanji had four other children — Ratanbai, Maneckbai, Virbaiji, Jerbai.

Born into a family of Parsi priests, Jamsetji broke the tradition as he started his own trading firm in 1868 at a young age of 29. He started with a textile mill in central India in the 1870s. His vision later set the foundation for technical education in India and helped the nation to be counted among the industrialised nations.

Jamsetji married Hirabai Daboo and had three children — Sir Dorabji Tata, Dhunbai Tata and Sir Ratan Tata. 

Dorabji, the elder son of Jamsetji, was instrumental in translating his father’s vision into reality. It was under his leadership that the Sir Dorabji Tata Trust was created, propelling the Tata tradition of philanthropy. Jamsetji’s younger son, Ratan, was a philanthropist who created a trust to fund educational development, alleviate human sufferings and other public utility works.

Sir Ratan Tata married Navjbai Sett and adopted Naval H Tata. Naval married Sonoo Commisariat and had two sons — Ratan N Tata and Jimmy N Tata. But Naval and Soonoo divorced when Ratan N Tata was only 10 years old. Naval later married Simone Dunoyer and with her, had a son, Noel Tata. Noel is Ratan and Jimmy’s half brother.

While Ratan and Jimmy never married, Noel tied knot with Aloo Mistry, sister of late Cyrus Mistry, who served as Chairman of Tata Group. Noel and Aloo have three children — Leah Tata, Maya Tata and Neville Tata.

Neville is married to Manasi Kirloskar and together they have two children – Jamset Tata and Tiana Tata.

Again, Jeevanbai Kavasji Tata’s brother Dadabhai Kavasji Tata (adopted son of Kavasji Maneckji Tata) had a son with his wife Bhikhibai. Dadabhai’s son Ratanji Dadabhai Tata married a French woman Suzanne Briere. They had five children — Syla Petit, Jehangir Ratanji Dababhai Tata, Rodabeh Tata, Darab Tata and Jimmy Tata. 

Jehangir or JRD Tata, who went on to become Tata Chairman, pioneered civil aviation on the subcontinent in 1932 by launching the airline which is now known as Air India.

source/content: indianexpress.com (headline edited)

NATIONAL: GI TAGS: Bodo Tribe’s Eight Products, Including ‘Aronai’, Secure GI Tags In Assam

In a major step towards preserving and promoting the rich cultural heritage of Assam, eight products of the Bodo tribe, including the iconic ‘Aronai’, have secured Geographical Indication (GI) tags. This development not only acknowledges the unique craftsmanship of the Bodo community but also provides a boost to the local economy by safeguarding these products’ authenticity on a global platform.

The Bodo tribe, one of the largest indigenous groups in Northeast India, has a rich tradition of weaving and handicrafts. The GI tag will protect the intellectual property rights of these products, preventing unauthorized use and imitation, while also promoting the Bodo culture and heritage globally.

What is a Geographical Indication (GI) Tag?

Geographical Indication (GI) tag is a certification provided to products that have a specific geographical origin and possess qualities or a reputation that are due to that origin. This certification ensures that only products produced in a specific region can be marketed using that name, thereby protecting the authenticity and traditional knowledge associated with the product.

For the Bodo tribe, receiving GI tags for these eight products is a recognition of their centuries-old craftsmanship, which has been passed down through generations. This certification not only adds economic value but also helps preserve the traditional techniques and cultural practices unique to the Bodo community.

The Eight Bodo Products That Secured GI Tags

The eight products from the Bodo community that have been awarded GI tags include:

  1. Aronai: The most iconic product of the Bodo tribe, Aronai is a traditional scarf or shawl that is an integral part of Bodo culture. It is worn during important ceremonies, festivals, and even as a daily accessory. Made from high-quality silk or cotton, the intricate weaving patterns and vibrant colors of Aronai symbolize the identity and pride of the Bodo people.
  2. Dokhona: A traditional attire worn by Bodo women, Dokhona is a long wrap-around dress made from woven silk or cotton. It is often adorned with colorful patterns and is considered an essential part of Bodo cultural festivals and ceremonies.
  3. Gamsa: A handwoven fabric used as a towel or wrap, Gamsa is a versatile product that reflects the Bodo tribe’s skilled weaving techniques. Known for its durability and fine craftsmanship, it is often used in everyday life and during cultural rituals.
  4. Bodo Mekhela: Mekhela, another traditional attire for women, consists of two pieces of cloth draped around the body. The Bodo version of Mekhela is known for its unique designs, rich fabric, and vibrant colors, making it a staple in Bodo women’s wardrobes during cultural celebrations.
  5. Jwmgra (Traditional Shawl): This traditional shawl is another product of Bodo weaving craftsmanship, often made from cotton or silk and used during formal and cultural events.
  6. Silk Shawls: Bodo silk shawls are renowned for their softness and intricate patterns. These shawls are often made from Assam silk, a high-quality material, and are worn on special occasions.
  7. Endi Shawls: Endi, or eri silk, is produced in Assam and is known for its eco-friendly production process. Bodo artisans weave this silk into beautiful shawls that are highly sought after for their warmth and comfort.
  8. Bodo Handloom Textiles: This includes a variety of fabrics woven by the Bodo community, showcasing their rich tradition of handloom weaving. These textiles are used to create traditional attire, accessories, and home décor items.

Cultural and Economic Impact of GI Tags

The GI tagging of these eight products is a momentous achievement for the Bodo community and the state of Assam. It not only provides legal protection to the products but also elevates the status of traditional Bodo crafts on the global stage. With this recognition, these products can now be marketed more effectively, both in India and internationally, which will boost tourism and economic opportunities for local artisans.

The Bodo tribe has long been recognized for their skilled weaving techniques, which are deeply embedded in their cultural identity. The GI tag helps in preserving these traditional crafts, encouraging younger generations to continue the legacy of their ancestors.

Boost to Assam’s Handloom and Handicraft Industry

The handloom and handicraft industry in Assam is a significant contributor to the state’s economy, employing thousands of artisans, particularly women. With the GI tagging of these products, the Bodo tribe’s artisans can now sell their crafts at premium prices, increasing their income and improving their livelihood. This recognition also opens doors for export opportunities, enabling these products to reach a broader audience worldwide.

The GI tags will also promote sustainable tourism in the region, as visitors are likely to be drawn to the rich cultural heritage and unique crafts of the Bodo tribe. Tourists who visit Assam for its natural beauty and wildlife will now have an added reason to explore the traditional Bodo textiles and handicrafts, further boosting the local economy.

While the GI tags are a significant achievement, there are challenges in ensuring that the benefits reach the artisans at the grassroots level. Efforts must be made to establish strong supply chains, promote these products in international markets, and provide artisans with the necessary training to maintain quality standards.

The government, along with local organizations, must work together to create marketing platforms and digital avenues for promoting these products globally. E-commerce platforms and artisanal fairs can be valuable tools in reaching a broader audience and ensuring that the GI-tagged products achieve their full potential.

The GI tagging of eight traditional products from the Bodo tribe of Assam, including the beloved Aronai, is a proud moment for the community and the entire state. It is a testament to the rich cultural heritage of the Bodo people and their contribution to India’s vibrant handloom and handicraft traditions. As these products gain international recognition, they will not only boost the local economy but also serve as symbols of pride and identity for the Bodo community.

source/content: boroktimes.com (headline edited)

INTERNATIONAL: BEAUTY PAGEANT : Meet Dhruvi Patel, Miss India Worldwide 2024, a Gujarati NRI, techie, founder of…

This techie from Gujarat has been crowned as the Miss India Worldwide 2024.

Dhruvi Patel has been crowned as Miss India Worldwide 2024, the longest running Indian pageant outside of India. An NRI techie, Dhruvi has carved out her niche in the pageantry world and this is not the first time when she won a pageant. She has a hall of fame that speaks of the many titles she won and events she participated in. This techie turned pageant winner, started young and has bigger aspirations to complete.

“Winning Miss India Worldwide is such an incredible honour. It’s more than a crown – it represents my heritage, my values, and the opportunity to inspire others on a global scale,” Dhruvi said after her crowning in Edison, New Jersey.

Who is Dhruvi Patel, NRI techie with big dreams

Dhruvi has always been fascinated with world of fashion. Since the age of 8, Dhruvi was inclined towards the glitz and glamour for the pageantry realm. In an interview she mentioned, “Unfortunately, school commitments took precedence, and I couldn’t pursue my interest back then. Now, with a renewed passion, I am eager to balance academics and aspirations as I embark on my journey into the world of pageantry.”

In 2023, she was crowned Miss India New England. She has also won Miss Rhode Island and was a contestant in the Miss World America Pageant.

Patel’s roots speak of rich and vibrant culture of Gujarat. Currently, she resides in Hamden, Connecticut, with her parents and siblings. In a bid to pursue her passion in the field of IT, she joined Dhruvi joined Quinnipiac University in 2021 as Computer Information System student.

Well, Dhruvi is not just another engineer who won a title. The Indian origin techie aspires to one day become UNICEF brand ambassador and also make her debut in Bollywood! She runs a home-based nonprofit called 3D Charities. She runs the organisation along with her siblings Darsh and Dhriti.

Apart from preparing for pageants, working up as Computer Science professional, Patel also enjoys the realm of sports as per report.

About Miss India Worldwide 2024

Lisa Abdoelhak from Suriname was declared the first runner-up, while Malvika Sharma from the Netherlands was adjudged the second runner-up in the same race, as reported by PTI. In the Mrs category, SuAnn Mouttet from Trinidad and Tobago was the winner, with Sneha Nambiar the first and Pawandip Kaur from the United Kingdom the second-runner up.

In the Teen category, Sierra Suret from Guadeloupe was crowned Miss Teen India Worldwide. Shreya Singh from the Netherlands and Shradha Tedjoe from Suriname were declared the first and second runners-up. The beauty pageant is organised by New York-based India Festival Committee and is headed by Indian-Americans Neelam and Dharmatma Saran.

The crown is celebrating its 31st anniversary this year.

source/content: india.com (headline edited)

INTERNATIONAL: ARTS : INDIA’s HUMAN- WILD LIFE CO-EXISTENCE- Installation in New York, USA : A herd from Nilgiris takes over New York, throws spotlight on a jumbo problem

The statues have been conceptualised by Gudalur-based The Real Elephant Collective (TREC) and sculpted from boiled Lantana by 200 tribal artisans from the Nilgiris, who make up the Coexistence Collective.

At the elegant Meatpacking district of New York, where shopfronts have names such as Rolex, Gucci and Hermes, a different kind of display is attracting the crowds — a herd of 100 wild elephants that has made its way from Gudalur in Tamil Nadu’s Nilgiri hills to the US.

In the parade are kind-eyed matriarchs, playful calves, bulls with outstretched trunks and grand tuskers. These elephants are made of Lantana, one of the 10 worst invasive plant species in the world, that’s making food scarce for these giants in the forests and driving them out.

The statues of the pachyderms make up The Great Elephant Migration, a public art installation that has been to Kochi, London and Bengaluru before trumpeting into New York, where it is one of the biggest such works on display. The installation, which highlights the importance of human-wildlife coexistence and the need to protect Asian elephants, is the brainchild of a UK-based conservation group, Elephant Family USA.

The statues have been conceptualised by Gudalur-based The Real Elephant Collective (TREC) and sculpted from boiled Lantana by 200 tribal artisans from the Nilgiris, who make up the Coexistence Collective. “The scene in New York is hard to describe. It is amazing to see hundreds and hundreds of people, all so moved by the elephants. People who live nearby keep coming back and volunteering to look after the elephants,” says Tarsh Thekaekara, a researcher and conservationist who works on human-animal inclusive models of nature conservation.

Tarsh, who co-founded TREC with Subhash, Subhra Nayar and Tariq Thekaekara, says,“The logistics of travelling with the elephants is not difficult. The challenging part is to push the message of coexistence. Traditional conservation assumes that we need to protect only the pockets of forests and ignore the rest. That is not working. Animals are coming out of forests everywhere in the world.”

And who would know about human-animal conflict better than the tribals? Gudalur lies in the middle of the Western Ghats, located between Karnataka, Tamil Nadu and Kerala, and close to four forest reserves, Mudumalai, Wayanad, Bandipur and Mukurthi. Locals here have grown up seeing elephants and leopards around their houses, but fatal elephant attacks have risen over the past few years.K

Ramesh Madan, who is in his 30s and belongs to the Betta Kurumba tribe, says, “When I was a child, an elephant or two would come (to our houses) in the jackfruit season. I have never known so many elephants to come near our houses, as has been happening in the last few years. When we go into the forest to collect things, I can see that Lantana has taken over large parts. It is the reason why elephants are coming out of the forest.”

A weed that sports clusters of small, colourful flowers, Lantana camara was brought to India by the British as an ornamental plant in the 1800s. According to a study in the Journal of Applied Ecology in October 2023, Lantana has penetrated over 5,74,186 sq km of India, including 50 per cent of the country’s natural areas.

In a takeover by Lantana, which is fast-growing and toxic, a forest gets completely matted, not allowing for growth of any other plant species. Deprived of their food sources, animals are pushed out of forests into urban areas. Moreover, as Lantana goes up trees, forest fires become more widespread. TERC co-founder Subhash says, “If trees burn, they don’t come back as quickly as grasses.”

Tarsh, Subhash, Subhra and Tariq, who were schoolmates, came back to Gudalur to contribute to their home. Between 2013 and 2015, TREC started a mapping exercise at the four forest reserves in collaboration with the Shola Trust in Gudalur. “Initially, the forest department was in denial and we had to physically ascertain how bad the Lantana problem was. We found that 30-40 per cent of the forest was taken over by Lantana. If 30 per cent of land area is not viable for animals, it could be the reason elephants were coming out of forests,” says Subhash.

It was Tarsh and Subhra who first came across Ruth Ganesh, a trustee of the Elephant Family. The organisation creates outdoor figures of elephants to draw attention and finances for the protection of Asian elephants. TREC, which was looking for fresh ideas, wondered if it could make life-size elephant statues out of Lantana. “What was beautiful in that whole exercise was that the indigenous communities did not need to be taught to make the elephant figures,” says Subhash.

In the workshop above his office in Gudalur, artisans from the Soliga, Betta Kurumba, Kattunayakan and Paniya tribes are immersed in creating elephant statues. Each model is a likeness of a real wild elephant that the tribals coexist with. Subhra, who has a background in puppetry, is the resident designer. Using photographs, she constructs metal structures of elephants over which the artisans place strips of Lantana, which are cut out from the forest by a group. “Lantana are boiled and used for the sculptures,” says Tarsh.

The pieces are sold by TREC to partners, who auction them in the US and the UK, among others. The profits go into supporting human-wildlife coexistence projects across the world, including India. In India, the funds are disseminated through the Coexistence Consortium, which comprises ecologists, anthropologists, geographers and conservationists, among others, who promote the concept of coexistence.

M Ranjini, also from the Betta Kurumba tribe, manages the production of the Lantana elephants. “We feel hopeful that the New York exhibition is spreading our message,” she says.

India’s policy on invasive species is, according to Delhi-based naturalist and author Pradip Krishen, “patchy at best and close to nil at worst”. “We are one of the last countries in the world to have an official Invasive Alien Species (IAS) list. In Delhi, where I live, the forest department stands by while a highly invasive tree like subabool (Leucaena leucocephala) fills up the Ridge and unoccupied verges in the city. The invasive vilayati kikar accounts for more than 90 per cent of the trees inside the huge Central Ridge in the heart of the city. Delhi’s Tree Act is completely silent about invasive plants. On a scale of 1 to 10, I would say that awareness might be 4 or 5, but effective action and policy remain abysmally low at 1 or 0.5,” he adds.

Krishen says that Lantana — like Chromolaena — has proliferated under the noses of forest authorities. “I have heard foresters say that Lantana is being unnecessarily demonised and that it provides habitat for small animals like hares and pigs, as well as food for bears, butterflies, and so on. This needs to be weighed against the harm Lantana does to natural habitats, such as pushing out native plant species, reducing forage for wild ungulates (animals with hoofs), having many deleterious effects especially on the herbaceous layer and greatly reducing biodiversity. The areas most affected are dry deciduous forests, which includes all of northern India upto the sub-Himalayan zone, all of Central India, parts of the arid zone in the west excluding the Thar desert and along the Eastern Ghats,” he says.

Subhash adds that, for generations, tribal communities managed forests. “After the Wildlife Protection Act 1972, they were stopped from accessing forests. Controlled forest floor fires are one of the ways indigenous communities manage forests. That helped because grasses grew well and so herbivores did well. With Lantana taking over the forest, the viability of forests was reduced. We would like indigenous communities to access forests so that they can actively participate in its management. This became another driver for us to get involved,” he says.

Tarsh adds, “If we carry on with the traditional model, we are creating pockets of forests that are being taken over by the Lantana. We are destroying the rest of the world and creating unhealthy environments for ourselves to live in. That is what we have to change. It is the vision that we are pushing overall with the Lantana elephants and it is not easy for people to grasp. They see the elephant, are amazed by it and take home the word ‘coexistence’. But, slowly, coexistence is a bigger message that we will be driving.”

source/content: indianexpress.com (headline edited)

INTERNATIONAL: CHINESE VISITOR to INDIA IN 629 CE : Xuanzang – The early visitor to Nalanda, all the way from China. Excerpts of William Dalrymple’s latest Book – ‘The Golden Road: How Ancient India Transformed the World’

Xuanzang’s epic journey to one of India’s largest early centres of learning. An excerpt from William Dalrymple’s latest book ‘The Golden Road: How Ancient India Transformed the World’.

Late in the autumn of 629 CE, a tall, well-built man, twenty-nine years old, set off on foot from the walled capital city of Chang’an. He was heading westwards, towards the wastes of the Taklamakan desert and beyond that, so he hoped, over the peaks of the Pamirs.

In many ways the walker could not have chosen a worse time to set off on such an ambitious journey. The country was still in the middle of a civil war, and robbers and brigands haunted the unpoliced roads. To make matters worse, there was also a ban on citizens leaving the country, part of an attempt by the new Tang authorities to stop people joining the insurgent groups lurking in the western border country. But the walker was no rebel. Instead he was an urbane and learned monk, ordained into one of the most philosophical of the Mahayana Buddhist orders.

Xuanzang wanted to travel to the source of the religious tradition to which he had given his life. Specifically, he wanted to enrol at the great Indian Buddhist monastery and university of Nalanda. There he wished to study the manuscripts held in the largest Buddhist library in the world. Nalanda, however, lay 3,000 perilous miles south-west of Chang’an, and getting there would be no easy task, particularly as the Tang authorities had just turned down his application for a travel permit.

Not only was it a time of violent upheaval, it was also the year of a great famine, and there was every likelihood that if the authorities or the brigands did not stop Xuanzang, starvation would. But the monk was well used to taking risks. Although he had been born into a family of elite Confucian scholars and public officials — his great-grandfather had been Governor of Shandong and his grandfather was the head of the Imperial College at Beijing, in reward for which the Emperor had endowed the family with the revenues of an entire town — it was nevertheless Xuanzang’s fate to live in the violent and fractured period between two great dynasties. One, the Sui, was falling and the other, the Tang, had yet fully to establish itself.

Xuanzang’s father, a “brilliant and elegant man, with bright eyes, who used to dress himself in the manner of a Confucian scholar”, reacted to the disintegration of his world by immersing himself in the classics. “Anticipating the fall of the Sui, he
buried himself in his study with his books. Many offers of distinguished
positions were pressed on him, which he persistently refused.”

After his death, two of his sons became Buddhist monks, hoping to find within themselves a peace that was notably absent in the world around them. But there was no escape from the endemic violence. In 618, aged thirteen, Xuanzang and his elder brother had had to flee for their lives through the fields along the Yellow River after their monastery in Luoyang was threatened. At this time, according to Xuanzang’s friend and biographer Huili, “the House of Sui lost power, and the country fell into a great turmoil”.

The imperial capital became a nest for brigands like Zhe the Bandit, and the region between the Yellow River and the Luo river turned into a cavern for men as brutal as jackals and wolves. Civilisation collapsed, and the Buddhist community dispersed. White skeletons were scattered at crossroads and the region was depopulated;
no smoke drifted from cooking fires.

Xuanzang was deeply troubled. It was not just that society was disintegrating in front of his eyes; he was worried that the Buddhist tradition he lived and studied was deeply corrupted too. He could see that the texts he used were full of errors and discrepancies. “When he compared editions of the holy scriptures,” wrote Huili, “they showed differences either vaguely or manifestly, so that he was at a loss to decide which of the theories he should follow.” Despite risking his life travelling through the burning countryside from monastery to monastery in search of Buddhist masters who could resolve these inconsistencies, he found none who could adequately answer his questions. Xuanzang felt a growing need “to make further specialised studies and to resolve the contradictions… Thus he resolved to travel to the West, to India, to clear his doubts.”

He had heard that the university monastery of Nalanda contained the fullest and most complete collections of the texts of the tradition known as Yogacara, a spiritual path first outlined by the Gandharan monk Asanga, at the dictation of the Bodhisattva Maitreya, or so the monks maintained.

Asanga maintained that our experience of the world is nothing but an illusion, a misleading creation of our own consciousness. Xuanzang believed the writings of Asanga’s Yogacara school to be the peak of all Buddhist thought, and the one which had preserved the most profound and authentic secrets of his own Mahayana tradition. In particular Xuanzang wished to seek out one specific manuscript — the Yogacarabhumi, “Treatise on the Stages of Yogic Practice”. This was a text for which Xuanzang had been searching all his adult life.

Xuanzang had also heard that at Nalanda the supreme master of Yogacara, a 106-year-old scholar called the Venerable Shilabhadra, was still teaching and, despite his age, taking on new pupils. Ignoring the many dangers, Xuanzang resolved to set off westwards, knowing that centuries earlier other Chinese monks such as Faxian had successfully made the same journey and returned alive, even leaving brief accounts of their journeys. “As the road was obstructed and long,” wrote Xuanzang, “the transmission [of Buddhism to China] was still incomplete… Secretly praying for spiritual protection, I determined to go out from the land of my birth and throw myself into the realm of ten thousand deaths. When passing in the footsteps of the Buddha, I paid my respects to the numinous [presence] he left behind. If there were people who propagated the dharma, I sought out their authentic teaching. When I passed through a place, I was moved to see what I had never seen before. When I encountered a word, I rejoiced at hearing what I had never heard before. In this way, I exhausted my life’s resources to copy texts that were missing at home.”

Xuanzang’s sixteen years of travels, and the different accounts that he, his biographer Huili and his various followers and correspondents have left of his journey, bring to light an entire world that is otherwise lost in shadow and archaeological ambiguity. It is not just that we find ourselves able to draw on a sudden glut of well-verified letters to and from Xuanzang and his learned correspondents; we also have Xuanzang’s own travel book, The Great Tang Dynasty Record of the Western Regions, the most comprehensive account of seventh-century Central Asia and India ever produced, and written with all the care of a sceptical scholar who was unusually scrupulous in matters of fact. “Although it was difficult to exhaustively verify all matters,” he wrote in a postscript, “I never resorted to speculation.” Most remarkable of all, at over 80,000 characters, Huili’s biography, written during his master’s old age and completed after his death, is the fullest single biography to survive from pre-modern China.

These different sources illuminated the intellectual and spiritual bedrock of the Indian ideas that were finding their way over the mountains and deserts and coming to change the way people in China lived and thought. It is one of the richest moments of cultural and philosophical interaction in world history. In the course of China’s first really intimate encounter with an equal civilisation, not only did Buddhism profoundly transform China, bringing about a massive metamorphosis of its arts, history, society and culture at both popular and court levels; at the same time, and no less profoundly, Buddhism was changed and moulded by China.

No one really knows when Buddhism first reached China. Xuanzang himself believed that it had arrived as a result of “a dream of the Emperor of the Han dynasty”. According to this legend, the Chinese Emperor Ming (r.58-75CE) had a vision of a golden being who had a nimbus behind his head that shone like the sun. The Emperor asked his advisers about this strange apparition and was told that in the west there was a deity named the Buddha. “As a result,” wrote Xuanzang, “envoys were sent to the West, and consequently the Right Dharma was transmitted.”

Excerpted with permission from ‘The Golden Road: How Ancient India Transformed The World’ by William Dalrymple, published by Bloomsbury

source/content: telegraphindia.com (headline edited)

NATIONAL: PARTITION HISTORY : Coventry University to digitise India’s post-partition heritage

A university is set to preserve digitally more than 20,000 pictures, prints and documents from the post-partition period in India.

Led by Coventry University, two decades of India’s history, from 1947, will be digitised from a collection housed at Hamilton Studios in Mumbai.

The collection contains more than 600,000 objects from nearly a 100 years of Indian heritage – including partition, which ended two centuries of British colonial rule and divided the subcontinent into two separate nations: India and Pakistan.

The project will specifically preserve items – including passport photographs and invoices – for the period up to 1967.

The collection also includes film negatives, test prints, and legal documents.

The project was inspired by Coventry Digital – an online archive of the city containing more than 70,000 local images, videos and documents.

Ben Kyneswood, professor at Coventry University’s Research Centre for Creative Economies, will collaborate with Hamilton Studios to digitise the images.

He said: “The success of Coventry Digital has demonstrated the power of digital technology in preserving and sharing cultural narratives.

“I am eager to extend this legacy to the preservation of India’s cultural heritage, ensuring that future generations have access to these invaluable historical records.”

A university spokesperson said the archive will aim to capture migration stories to “bridge historical divides, foster cultural preservation and illuminate how the partition continues to shape the stories of India and its people.”

source/content: bbc.com /shannen headley (headline edited)

NATIONAL: 15th August : Independence Day 2024: India celebrates its 78th I-Day this year; know theme, history, significance, celebrations

On August 15, India celebrates its 78th Independence Day. Know all about the theme, history, significance, and celebrations.

 India celebrates its Independence Day annually on August 15. This year, the nation will mark its 78th Independence Day or Swatantrata Diwas on Thursday. Learn about this year’s theme and Independence Day history, significance, and celebrations as we celebrate the day.

Independence Day 2024: What is the theme this year?

As India celebrates its 78th Independence Day, the government of India has announced the theme for this year is Viksit Bharat or Developed India. It symbolises the vision of a developed nation by 2047 and reflects the government’s commitment to transform India. The year 2047 will be the 100th year of India’s freedom from colonial rule.

Independence Day 2024 History and Significance

Independence Day commemorates India’s freedom from British colonial rule for more than 200 years on August 15, 1947. The country began its struggle for Independence with the Rovolt of 1857. Later, around 1920, the freedom struggle gained momentum under Mahatma Gandhi’s leadership. Finally, on July 4, 1947, the British House of Commons introduced the Indian Independence Bill. On August 15, India became an independent nation.

On the eve of India’s Independence, Jawaharlal Nehru, the first Prime Minister of Independent India, hailed this historic achievement as a ‘Tryst with Destiny’. On August 15, Nehru hoisted the Indian national flag above the Lahori Gate of Red Fort in Delhi. It is a tradition that every Prime Minister has since followed with an address to the country.

Independence Day reminds every citizen of the country about the dawn of a new beginning, the freedom struggle, the freedom fighters who laid their lives for the country, and the countless sacrifices they made to achieve liberation from the clutches of Britishers. It is marked as a national holiday in the country.

Independence Day 2024: Celebrations, how to celebrate with loved ones

Every year, the Prime Minister of India hoists the national flag on Swatantrata Diwas and addresses the nation. The Independence Day speech reflects the nation’s progress, achievements, and future goals. This year’s speech will mark the 11th consecutive Independence Day speech by PM Modi and the first during his third term.

Citizens commemorate Independence Day annually with flag hoisting, parades, cultural events, and citizens singing patriotic songs. Schools and colleges host cultural programmes where children are encouraged to recite speeches and poems on Independence, honour our freedom fighters, perform cultural dance from different corners of the country, and sing songs.

source/content: hindustantimes.com (headline edited)

INTERNATIONAL: INDIAN ORIGIN : Indian-born Canadian Nav Bhatia, first NBA fan to be inducted in Naismith Memorial Basketball Hall of Fame

Nav Bhatia, a Toronto Raptors ‘Superfan’ for decades, inducted into Naismith Memorial Basketball Hall of Fame for promotion of game and philanthropy.

 When the Toronto Raptors played their first game in the National Basketball Association (NBA) league in 1995, a courtside fan stood out from the rest. But it was not just his booming voice that had others in the arena sit up and take notice.

As a practising Sikh, he also drew attention with his white turban and thick beard as required by his religion.

A lot has changed for the Raptors since. But they have always found Navdeep “Nav” Bhatia in their corner, rooting for his team through all its ups and downs.

The 69-year-old claims he has never missed a Raptors game since their inception. And his cheer has only grown louder with time.

All this was enough reason for the franchise to christen him a “Superfan” in 1998 and hand him the Number 95 jersey, after the year of their inception.

Bhatia is now a recognised face across NBA, rubbing shoulders with some of the biggest names in the sport.

Last week, Bhatia became the first-ever fan to be inducted into the prestigious Naismith Memorial Basketball Hall of Fame.

And it was not for just being a loyal Raptors follower. Over the years, he has used his fame and the game to smash stereotypes, while bringing about change, one basketball fan at a time, through philanthropy and activism.

Basketball a ‘perfect vent’

In 1982, Bhatia returned to his home in the Indian capital, New Delhi, with a degree in mechanical engineering from California State University in Los Angeles.

He was looking to set up a business when anti-Sikh riots broke out two years later, in which 3,000 Sikhs were killed.

Traumatised by the killings, Bhatia left for Canada, a new land where he decided to rebuild a new life.

“Like most Indians, the first thing was to work towards having a roof on my head. I was a workaholic … I was really stingy and there was no room for luxuries,” he told Al Jazeera over an online call from Toronto.

“I experienced a lot of speed bumps along the way, what one would call discrimination. That was a very challenging time.”

During the early days, a job was hard to come by, which he says had a lot to do with the “way he looked”. He finally landed a job as a car salesman.

In a new environment, Bhatia says he made an instant connection with basketball.

“I would watch guys like Larry Bird, Dr J (Julius Erving) and Michael Jordan – really entertaining. Of course, coming from cricket-crazy India, I had never played this game. But it was the perfect vent after the gruelling hours at work,” he says.

“Even today, I forget about family and business during those three hours at a game.”

‘Sikhs are loyal people’

When the Raptors came into existence, Bhatia found a team he could call his own. By this time, he had spent a decade in Canada and established himself professionally.

He bought two tickets for their first game and has not looked back since.

“We have had low moments through most of the first 20 years, at times winning just 16 of the 82 games all season. People would make fun of me at coffee shops. They would say: ‘why are you wasting money on losers?’” he laughs.

“But Sikhs are loyal people and once you take someone’s hand, you hold it forever.”

Even after he established two of the biggest car dealerships in Canada, Bhatia’s life revolved around basketball and the Raptors.

He would be seen with the players and management at the court and watch reruns of the game when his team lost, much to the chagrin of his wife, Arvinder.

Soon, the Raptors were celebrating Indian festivals such as Diwali and Baisakhi as they began to find a growing community of Canadian Sikh fans by their side.

‘Most annoying fan’

The opposition team too found Bhatia hard to miss at the games, where he made their lives difficult with his cheers and rants.

Milwaukee Bucks’ Giannis Antetokounmpo, for instance, called Bhatia the most annoying fan to play in front of after his “antics” at the Eastern Conference Finals in 2019.

“We had lost the first two games and I was very emotional and energetic during the third. I ensured Giannis missed six free throws. In fact, Raptors coach Nick Nurse even told me that the win belonged to me since I had worked so hard for it,” Bhatia says, chuckling.

Everywhere he went in Toronto, he was offered free coffee and hugs. But not all incidents were pleasant.

Once a Bucks fan called him “that fat guy with an underwear on his head” on social media, causing outrage and the NBA fraternity castigating him, demanding action against him.

But Bhatia decided to tackle it his own way. He met the man in Milwaukee, accepted his apology and took him out for dinner.

“After the game, I took his 10-year-old son to the locker room where he met all the players. Today his father and I are good friends. So I changed the perception of a guy who had never seen a Sikh with a turban and a beard. It was a great moment for me,” Bhatia recalls.

Nav Bhatia Superfan Foundation

In 2019, Raptors were crowned the champions. Bhatia celebrated alongside 3,000 fans in Oakland, where they beat the Golden State Warriors in Game 6 of the series.

For the support he had shown over the years, he was even handed an NBA Championship ring by the Raptors, usually reserved for only the team members.

Back in Toronto, he was asked to lead the parade, celebrating alongside thousands of others in the streets.

“Whites, Blacks, Sikhs, Hindus, Muslims – all kinds of people, standing there, expressing their love for the team. That’s what basketball is all about,” he says.

To do his bit for the community in Canada, Bhatia launched the Nav Bhatia Superfan Foundation in 2018. The idea was to make basketball accessible to as many children as he could by building courts and distributing gear.

Around the Baisakhi festival, Bhatia takes around 5,000 children of all ages, races and backgrounds to the Raptors’ game. He says he makes the children mingle among themselves to address the issue of discrimination he initially faced as an immigrant.

“I want them to interact at a young age, so that none of them go through what I did decades ago. Every year, I go to schools across the country and talk to the students. This next generation is really important to me,” he says.

In India, his foundation tied up with World Vision in 2016 to launch the Daughters of India campaign. One of the main issues they took up was the lack of sanitation for girls, which forced some of them to quit school after hitting puberty.

In 2017, their campaign raised $300,000 and constructed 135 washrooms across 35 schools in Faridkot in the western Indian state of Punjab.

Bhatia says his next project is neighbouring Rajasthan state’s Alwar district, where he plans to build 200 washrooms and basketball courts for the girls.

“I often find it hard to believe all the things that have happened to me. So I am simply using it to do good,” he says.

Source: Al Jazeera

source/content: aljazeera.com (headline edited)

INTERNATIONAL: ARTS & CRAFTS: Jammu Kashmir administration celebrates ‘World Craft City’ tag for Srinagar

The recognition would not only provide a new identity to Srinagar in the global market but craftsmanship would re-establish its position as a prestigious occupation, J&K Lieutenant Governor Manoj Sinha said.

Srinagar was the venue of a special function on July 31 to celebrate its recognition as ‘World Craft City’. Sa’ad Hani Al-Qaddumi, president of the World Crafts Council International (WCCI), present on the occasion.

Mr. Al-Qaddumi, who visited a few craft clusters after his arrival in Srinagar, praised local craftsmanship and efforts to preserve old and traditional hand techniques by locals, including women. “I congratulate the J&K government on the recognition of Srinagar as a World Craft City. Srinagar has joined the well-deserved ranks of craft cities across the world,” Mr. Al-Qaddumi said.

Hundreds of artisans and traders attended the function at the Sher-i-Kashmir International Convention Centre. “In honouring Srinagar city, the World Crafts Council has also honoured the 5,000-year rich Indian civilisation, which kept alive creative traditions and always promoted gifted artisans for their ingenuity and craftsmanship,” J&K Lieutenant Governor Manoj Sinha said.

Srinagar earned the World Craft City tag from the council, which works to empower artisans and safeguard heritage globally, in June this year. Many see the tag as a window for Kashmir to reopen its old linkages with craft centres in Central Asia and Iran.

“We are determined to ensure that their creative products are financially attractive and the work is professionally satisfying. I am sure this recognition as World Craft City will not only provide a new identity to Srinagar in the global market but that craftsmanship will re-establish its position as a prestigious occupation,” Mr. Sinha said.

Srinagar is the fourth city in India to secure the prestigious World Craft City tag. The L-G said J&K was proud to have an inclusive cultural ecosystem, which always inspired weavers and craftspeople. He commended the efforts of the Handloom and Handicrafts Department, and the Industries and Commerce Department for leading the change in a sector that is vital to J&K’s economy.

Saleem Beg, head of the Indian National Trust for Art and Cultural Heritage’s (INTACH) Kashmir chapter said the tag could open a window to trace Kashmir’s journey into the craft sector. “I expect a fillip to Kashmir’s traditional linkages with Central Asia and Iran after this recognition. Fourteen Iranian cities are already listed as craft cities, and I look forward to knowledge exchange too,” Mr. Beg said.

source/content: thehindu.com (headline edited)

INTERNATIONAL: ARTS & CULTURE / INDIAN AMERICAN : Maya Neelakantan: I’m representing all of India on America’s Got Talent stage

Guitarist Maya Neelakantan, who has gone viral for her America’s Got Talent audition, opens up about her dreams, representing India and friendship with legends.

For Maya Neelakantan, who is being dubbed the ‘rock goddess’ after her America’s Got Talent (season 19) audition clip went viral, fame is incidental. “I had never expected all this,” she gushes.

The young guitarist, who hails from Chennai (Tamil Nadu), feels the fusion of Indian classical music with rock and metal is “exciting and hasn’t been explored much”. “These genres are so underrated together! I want to create my own music, which is more like the AGT performance,” she shares.

The 11-year-old went on the reality show stage dressed in an embellished lehenga-kurta set, complete with traditional jewellery, and played Papa Roach’s Last Resort infused with notes of classical Carnatic music, creating an audio-visual juxtaposition. “I was representing all of India and wanted to make a place for traditional music, too. My amma helped me organise the outfit, with the earrings and everything,” says the school student.

Neelakantan, who fell in love with Carnatic music at the age of two, learns it online with Prasanna Ramaswamy (Guitar Prasanna).

Speaking about business tycoon Anand Mahindra sharing her video, she said, “I did not expect that at all. It was very nice of him to do this… I have received love and support from guitar lengends, many of whom are close friends. But for him to discover me in this way was very unexpected, and got me love from the entire country!”

Support Matters

Counting her blessings, Neelakantan says that she’s grateful for all the support she gets from her parents (Indian dad and Australian mum) and others: “I’ve received so much support from legends like Gary Holt (American guitarist), who flew all the way from Sacramento to Los Angeles to watch my AGT audition.” She enjoys good following on the internet with 15.8K followers on YouTube and 49.2K on Instagram.

source/content: hindustantimes.com (headline edited)