Category Archives: Arts, Culture & Entertainment

NATIONAL: PARTITION HISTORY : Coventry University to digitise India’s post-partition heritage

A university is set to preserve digitally more than 20,000 pictures, prints and documents from the post-partition period in India.

Led by Coventry University, two decades of India’s history, from 1947, will be digitised from a collection housed at Hamilton Studios in Mumbai.

The collection contains more than 600,000 objects from nearly a 100 years of Indian heritage – including partition, which ended two centuries of British colonial rule and divided the subcontinent into two separate nations: India and Pakistan.

The project will specifically preserve items – including passport photographs and invoices – for the period up to 1967.

The collection also includes film negatives, test prints, and legal documents.

The project was inspired by Coventry Digital – an online archive of the city containing more than 70,000 local images, videos and documents.

Ben Kyneswood, professor at Coventry University’s Research Centre for Creative Economies, will collaborate with Hamilton Studios to digitise the images.

He said: “The success of Coventry Digital has demonstrated the power of digital technology in preserving and sharing cultural narratives.

“I am eager to extend this legacy to the preservation of India’s cultural heritage, ensuring that future generations have access to these invaluable historical records.”

A university spokesperson said the archive will aim to capture migration stories to “bridge historical divides, foster cultural preservation and illuminate how the partition continues to shape the stories of India and its people.”

source/content: bbc.com /shannen headley (headline edited)

NATIONAL: 15th August : Independence Day 2024: India celebrates its 78th I-Day this year; know theme, history, significance, celebrations

On August 15, India celebrates its 78th Independence Day. Know all about the theme, history, significance, and celebrations.

 India celebrates its Independence Day annually on August 15. This year, the nation will mark its 78th Independence Day or Swatantrata Diwas on Thursday. Learn about this year’s theme and Independence Day history, significance, and celebrations as we celebrate the day.

Independence Day 2024: What is the theme this year?

As India celebrates its 78th Independence Day, the government of India has announced the theme for this year is Viksit Bharat or Developed India. It symbolises the vision of a developed nation by 2047 and reflects the government’s commitment to transform India. The year 2047 will be the 100th year of India’s freedom from colonial rule.

Independence Day 2024 History and Significance

Independence Day commemorates India’s freedom from British colonial rule for more than 200 years on August 15, 1947. The country began its struggle for Independence with the Rovolt of 1857. Later, around 1920, the freedom struggle gained momentum under Mahatma Gandhi’s leadership. Finally, on July 4, 1947, the British House of Commons introduced the Indian Independence Bill. On August 15, India became an independent nation.

On the eve of India’s Independence, Jawaharlal Nehru, the first Prime Minister of Independent India, hailed this historic achievement as a ‘Tryst with Destiny’. On August 15, Nehru hoisted the Indian national flag above the Lahori Gate of Red Fort in Delhi. It is a tradition that every Prime Minister has since followed with an address to the country.

Independence Day reminds every citizen of the country about the dawn of a new beginning, the freedom struggle, the freedom fighters who laid their lives for the country, and the countless sacrifices they made to achieve liberation from the clutches of Britishers. It is marked as a national holiday in the country.

Independence Day 2024: Celebrations, how to celebrate with loved ones

Every year, the Prime Minister of India hoists the national flag on Swatantrata Diwas and addresses the nation. The Independence Day speech reflects the nation’s progress, achievements, and future goals. This year’s speech will mark the 11th consecutive Independence Day speech by PM Modi and the first during his third term.

Citizens commemorate Independence Day annually with flag hoisting, parades, cultural events, and citizens singing patriotic songs. Schools and colleges host cultural programmes where children are encouraged to recite speeches and poems on Independence, honour our freedom fighters, perform cultural dance from different corners of the country, and sing songs.

source/content: hindustantimes.com (headline edited)

INTERNATIONAL: INDIAN ORIGIN : Indian-born Canadian Nav Bhatia, first NBA fan to be inducted in Naismith Memorial Basketball Hall of Fame

Nav Bhatia, a Toronto Raptors ‘Superfan’ for decades, inducted into Naismith Memorial Basketball Hall of Fame for promotion of game and philanthropy.

 When the Toronto Raptors played their first game in the National Basketball Association (NBA) league in 1995, a courtside fan stood out from the rest. But it was not just his booming voice that had others in the arena sit up and take notice.

As a practising Sikh, he also drew attention with his white turban and thick beard as required by his religion.

A lot has changed for the Raptors since. But they have always found Navdeep “Nav” Bhatia in their corner, rooting for his team through all its ups and downs.

The 69-year-old claims he has never missed a Raptors game since their inception. And his cheer has only grown louder with time.

All this was enough reason for the franchise to christen him a “Superfan” in 1998 and hand him the Number 95 jersey, after the year of their inception.

Bhatia is now a recognised face across NBA, rubbing shoulders with some of the biggest names in the sport.

Last week, Bhatia became the first-ever fan to be inducted into the prestigious Naismith Memorial Basketball Hall of Fame.

And it was not for just being a loyal Raptors follower. Over the years, he has used his fame and the game to smash stereotypes, while bringing about change, one basketball fan at a time, through philanthropy and activism.

Basketball a ‘perfect vent’

In 1982, Bhatia returned to his home in the Indian capital, New Delhi, with a degree in mechanical engineering from California State University in Los Angeles.

He was looking to set up a business when anti-Sikh riots broke out two years later, in which 3,000 Sikhs were killed.

Traumatised by the killings, Bhatia left for Canada, a new land where he decided to rebuild a new life.

“Like most Indians, the first thing was to work towards having a roof on my head. I was a workaholic … I was really stingy and there was no room for luxuries,” he told Al Jazeera over an online call from Toronto.

“I experienced a lot of speed bumps along the way, what one would call discrimination. That was a very challenging time.”

During the early days, a job was hard to come by, which he says had a lot to do with the “way he looked”. He finally landed a job as a car salesman.

In a new environment, Bhatia says he made an instant connection with basketball.

“I would watch guys like Larry Bird, Dr J (Julius Erving) and Michael Jordan – really entertaining. Of course, coming from cricket-crazy India, I had never played this game. But it was the perfect vent after the gruelling hours at work,” he says.

“Even today, I forget about family and business during those three hours at a game.”

‘Sikhs are loyal people’

When the Raptors came into existence, Bhatia found a team he could call his own. By this time, he had spent a decade in Canada and established himself professionally.

He bought two tickets for their first game and has not looked back since.

“We have had low moments through most of the first 20 years, at times winning just 16 of the 82 games all season. People would make fun of me at coffee shops. They would say: ‘why are you wasting money on losers?’” he laughs.

“But Sikhs are loyal people and once you take someone’s hand, you hold it forever.”

Even after he established two of the biggest car dealerships in Canada, Bhatia’s life revolved around basketball and the Raptors.

He would be seen with the players and management at the court and watch reruns of the game when his team lost, much to the chagrin of his wife, Arvinder.

Soon, the Raptors were celebrating Indian festivals such as Diwali and Baisakhi as they began to find a growing community of Canadian Sikh fans by their side.

‘Most annoying fan’

The opposition team too found Bhatia hard to miss at the games, where he made their lives difficult with his cheers and rants.

Milwaukee Bucks’ Giannis Antetokounmpo, for instance, called Bhatia the most annoying fan to play in front of after his “antics” at the Eastern Conference Finals in 2019.

“We had lost the first two games and I was very emotional and energetic during the third. I ensured Giannis missed six free throws. In fact, Raptors coach Nick Nurse even told me that the win belonged to me since I had worked so hard for it,” Bhatia says, chuckling.

Everywhere he went in Toronto, he was offered free coffee and hugs. But not all incidents were pleasant.

Once a Bucks fan called him “that fat guy with an underwear on his head” on social media, causing outrage and the NBA fraternity castigating him, demanding action against him.

But Bhatia decided to tackle it his own way. He met the man in Milwaukee, accepted his apology and took him out for dinner.

“After the game, I took his 10-year-old son to the locker room where he met all the players. Today his father and I are good friends. So I changed the perception of a guy who had never seen a Sikh with a turban and a beard. It was a great moment for me,” Bhatia recalls.

Nav Bhatia Superfan Foundation

In 2019, Raptors were crowned the champions. Bhatia celebrated alongside 3,000 fans in Oakland, where they beat the Golden State Warriors in Game 6 of the series.

For the support he had shown over the years, he was even handed an NBA Championship ring by the Raptors, usually reserved for only the team members.

Back in Toronto, he was asked to lead the parade, celebrating alongside thousands of others in the streets.

“Whites, Blacks, Sikhs, Hindus, Muslims – all kinds of people, standing there, expressing their love for the team. That’s what basketball is all about,” he says.

To do his bit for the community in Canada, Bhatia launched the Nav Bhatia Superfan Foundation in 2018. The idea was to make basketball accessible to as many children as he could by building courts and distributing gear.

Around the Baisakhi festival, Bhatia takes around 5,000 children of all ages, races and backgrounds to the Raptors’ game. He says he makes the children mingle among themselves to address the issue of discrimination he initially faced as an immigrant.

“I want them to interact at a young age, so that none of them go through what I did decades ago. Every year, I go to schools across the country and talk to the students. This next generation is really important to me,” he says.

In India, his foundation tied up with World Vision in 2016 to launch the Daughters of India campaign. One of the main issues they took up was the lack of sanitation for girls, which forced some of them to quit school after hitting puberty.

In 2017, their campaign raised $300,000 and constructed 135 washrooms across 35 schools in Faridkot in the western Indian state of Punjab.

Bhatia says his next project is neighbouring Rajasthan state’s Alwar district, where he plans to build 200 washrooms and basketball courts for the girls.

“I often find it hard to believe all the things that have happened to me. So I am simply using it to do good,” he says.

Source: Al Jazeera

source/content: aljazeera.com (headline edited)

INTERNATIONAL: ARTS & CRAFTS: Jammu Kashmir administration celebrates ‘World Craft City’ tag for Srinagar

The recognition would not only provide a new identity to Srinagar in the global market but craftsmanship would re-establish its position as a prestigious occupation, J&K Lieutenant Governor Manoj Sinha said.

Srinagar was the venue of a special function on July 31 to celebrate its recognition as ‘World Craft City’. Sa’ad Hani Al-Qaddumi, president of the World Crafts Council International (WCCI), present on the occasion.

Mr. Al-Qaddumi, who visited a few craft clusters after his arrival in Srinagar, praised local craftsmanship and efforts to preserve old and traditional hand techniques by locals, including women. “I congratulate the J&K government on the recognition of Srinagar as a World Craft City. Srinagar has joined the well-deserved ranks of craft cities across the world,” Mr. Al-Qaddumi said.

Hundreds of artisans and traders attended the function at the Sher-i-Kashmir International Convention Centre. “In honouring Srinagar city, the World Crafts Council has also honoured the 5,000-year rich Indian civilisation, which kept alive creative traditions and always promoted gifted artisans for their ingenuity and craftsmanship,” J&K Lieutenant Governor Manoj Sinha said.

Srinagar earned the World Craft City tag from the council, which works to empower artisans and safeguard heritage globally, in June this year. Many see the tag as a window for Kashmir to reopen its old linkages with craft centres in Central Asia and Iran.

“We are determined to ensure that their creative products are financially attractive and the work is professionally satisfying. I am sure this recognition as World Craft City will not only provide a new identity to Srinagar in the global market but that craftsmanship will re-establish its position as a prestigious occupation,” Mr. Sinha said.

Srinagar is the fourth city in India to secure the prestigious World Craft City tag. The L-G said J&K was proud to have an inclusive cultural ecosystem, which always inspired weavers and craftspeople. He commended the efforts of the Handloom and Handicrafts Department, and the Industries and Commerce Department for leading the change in a sector that is vital to J&K’s economy.

Saleem Beg, head of the Indian National Trust for Art and Cultural Heritage’s (INTACH) Kashmir chapter said the tag could open a window to trace Kashmir’s journey into the craft sector. “I expect a fillip to Kashmir’s traditional linkages with Central Asia and Iran after this recognition. Fourteen Iranian cities are already listed as craft cities, and I look forward to knowledge exchange too,” Mr. Beg said.

source/content: thehindu.com (headline edited)

INTERNATIONAL: ARTS & CULTURE / INDIAN AMERICAN : Maya Neelakantan: I’m representing all of India on America’s Got Talent stage

Guitarist Maya Neelakantan, who has gone viral for her America’s Got Talent audition, opens up about her dreams, representing India and friendship with legends.

For Maya Neelakantan, who is being dubbed the ‘rock goddess’ after her America’s Got Talent (season 19) audition clip went viral, fame is incidental. “I had never expected all this,” she gushes.

The young guitarist, who hails from Chennai (Tamil Nadu), feels the fusion of Indian classical music with rock and metal is “exciting and hasn’t been explored much”. “These genres are so underrated together! I want to create my own music, which is more like the AGT performance,” she shares.

The 11-year-old went on the reality show stage dressed in an embellished lehenga-kurta set, complete with traditional jewellery, and played Papa Roach’s Last Resort infused with notes of classical Carnatic music, creating an audio-visual juxtaposition. “I was representing all of India and wanted to make a place for traditional music, too. My amma helped me organise the outfit, with the earrings and everything,” says the school student.

Neelakantan, who fell in love with Carnatic music at the age of two, learns it online with Prasanna Ramaswamy (Guitar Prasanna).

Speaking about business tycoon Anand Mahindra sharing her video, she said, “I did not expect that at all. It was very nice of him to do this… I have received love and support from guitar lengends, many of whom are close friends. But for him to discover me in this way was very unexpected, and got me love from the entire country!”

Support Matters

Counting her blessings, Neelakantan says that she’s grateful for all the support she gets from her parents (Indian dad and Australian mum) and others: “I’ve received so much support from legends like Gary Holt (American guitarist), who flew all the way from Sacramento to Los Angeles to watch my AGT audition.” She enjoys good following on the internet with 15.8K followers on YouTube and 49.2K on Instagram.

source/content: hindustantimes.com (headline edited)

INTERNATIONAL: MEDIA : Annurag Batra Founder of exchange4media elected to International Academy of Television Arts & Sciences

Annurag Batra is the Founder and Editor-in-Chief of exchange4media, which manages several major media brands.

In Short

  • Annurag Batra elected to International Academy of Television Arts & Sciences
  • He founded exchange4media and chairs BW Businessworld
  • The academy has over 900 members from 60 plus countries

Annurag Batra, Founder of exchange4media and Chairman of BW Businessworld, has been elected as a Member of the International Academy of Television Arts & Sciences.

The prestigious academy consists of over 900 members from more than 60 countries, representing the world’s leading television and media companies.

Annurag Batra is well-known in the media and television industry. He set up exchange4media, creating a new platform for media and television and has made a big impact on the digital media industry.

Batra has created a new sector that others in the field respect and follow. He is a serial entrepreneur, author, angel investor, TV show host, and a believer in the power of dreams.

He is the Founder and Editor-in-Chief of exchange4media, which manages several major media brands. He is also the Chairman and Editor-in-Chief of BW Businessworld Media Group.

Since acquiring BW Businessworld in late 2013, he has transformed it into a modern media conglomerate.

Batra has also served on the Board of Governors at the Management Development Institute in Gurgaon, his alma mater. He was the first graduate of MDI’s flagship program to serve on its Board of Governors from January 2020 to June 2023.

As the founder of exchange4media, he has spent over 24 years engaging with leading media owners, editors, journalists, and news media professionals.

He has built several media brands and large-scale events under exchange4media and is an accepted authority in media and television and has written extensively on these subjects. He is set to release his book in 2025 titled “Media Moguls of India.”

He is expanding his initiatives to the UAE and the MENA region. He is also investing in many media tech startups that are shaping the Indian digital media landscape.

Annurag Batra’s election to the International Academy of Television Arts & Sciences is a testament to his influence and contributions to the media industry.

source/content: indiatoday.in (headline edited)

INDIA: MUSEUMS : Smritivan Earthquake Memorial Museum, shortlisted for Unesco’s Prix Versailles Award 2024?

The Smritivan Earthquake Memorial Museum in Bhuj has been listed among the 7 most beautiful museums in the world under the prestigious Prix Versailles Award.

Prime Minister Narendra Modi on Saturday hailed the inclusion of Gujarat’s Smritivan memorial in the World Selection for the Prix Versailles Museums 2024.

“Smritivan in Kutch is a tribute to those we lost in the tragic Earthquake of 2001. It is a reminder of human resilience and courage as well. Glad that this Museum has found a place on the World Selection for the Prix Versailles Museums 2024,” Modi posted on X.

Smritivan Earthquake Memorial Museum has been shortlisted by Unesco as one of the seven most beautiful museums for the prestigious Prix Versailles Award. Announced each year at Unesco since 2015, the Prix Versailles is a series of architectural competitions that shine a light on the finest contemporary projects worldwide.

Unesco’s Prix Versailles said the seven newly opened or reopened museums simultaneously serve creativity, are the reflection of local heritage and ecological efficiency, and leave extraordinary imprints on their environments. The shortlisted museums will all be competing for three 2024 World Titles – Prix Versailles, Interior and Exterior – whose laureates will be announced at Unesco headquarters by late November, the release added.

It is a matter of pride for Gujarat that an Indian museum has received global recognition for the first time in this manner for its expression of local culture and nature conservation, Gujarat chief minister Bhupendra Patel said in the post.

Here’s all you need to know about Smritivan:

  1. Covering approximately 470 acres, Smriti Van celebrates the resilience of the people who endured the 2001 earthquake, which had its epicenter in Bhuj and claimed around 13,000 lives.
  2. The Memorial, includes the names of those who perished in the disaster, was inaugrated by PM Modi in August 2022.
  3. The state-of-the-art Smritivan Earthquake Museum is organised into seven thematic blocks: Rebirth, Rediscover, Restore, Rebuild, Rethink, Relive, and Renew.
  4. Rebirth: This block illustrates Earth’s evolution and its capacity to overcome challenges.
  5. Rediscover: Showcases Gujarat’s topography and the various natural disasters the state is prone to.
  6. Restore: Takes visitors back to the immediate aftermath of the 2001 earthquake, highlighting the extensive relief efforts by individuals and organisations.
  7. Rebuild: Highlights Gujarat’s rebuilding initiatives and success stories following the earthquake.
  8. Rethink: Encourages visitors to understand different types of disasters and emphasises the importance of future preparedness.
  9. Relive: Offers an earthquake simulation experience in a 5D simulator, giving visitors a realistic sense of such an event.
  10. Renew: Provides a space for remembrance, allowing visitors to pay homage to the lost souls.

source/content: hindustantimes.com (headline edited)

INTERNATIONAL: MIDDLE EAST: Centuries-old documents from Indian community in Oman digitised for posterity 

The Embassy of India, in collaboration with the National Archives of India (NAI), has completed a special digitisation project for the protection and compilation of age-old documents that give us a peek into individual anecdotes of the people of Oman and India. 

For the preservation of the rich history of the Indian community in Oman, this initiative aims to collate and safeguard valuable historical documents held by the Indian diaspora in Oman, many of whom have been residing in the country for generations.

A two-member expert team from the NAI finished the daunting task on Monday in just over a week starting from May 19.

The event concluded at the embassy premises with a successful digitisation of over 7,000 documents. 

Digitised contents include pictures, receipts, letters, certificates, passports, invoices and notes. These records, sourced from 30 families across Oman, trace back as far as 250 years, providing a unique window into the historical presence and contributions of the Indian community in the region.

Speaking at the event, H E Amit Narang, the Ambassador of India to Oman, said, “Our aim was to compile historical documents so that we can have a databank on the centuries-old relationship that the people of the two countries enjoyed.” 

The documents also showcase how Indians were at the centre of trade among the Arab and African countries. Digitised documents adequately prove how Muscat was always a trade hub for so many countries.

“They reveal a web of historical interactions and economic exchanges, illustrating the pivotal role the Indian community played in the trade networks linking Oman, Arabia and Africa. By preserving these records, the project ensures that future generations can access and learn from this rich heritage.”

A notable aspect of the project was the creation of an oral archive, a first for the NAI. 

Kalpana Shukla, an NAI representative, conducted long interviews with senior members of the community, some as old as 80 years. “This is the first time ever that the NAI has done this type of digitisation. Soon, all these records from Oman will be available for people to see. This digitisation is not only for preservation but also for research,” Kaplana said. 

She added that as these digital archives become accessible, they will serve as a valuable resource for historians, researchers and the general public, fostering a deeper understanding of the contributions of the Indian community to Oman’s development.

source/content: muscatdaily.com (headline edited)

INTERNATIONAL: FASHION : Meet Santanu Das, the Kolkata-based fashion designer who crafted Payal Kapadia’s Cannes 2024 outfit

Payal, who won the Grand Prix Award for her film All We Imagine As Light at Cannes, ordered her outfit for the festival from Santanu’s artisanal clothing brand Maku Textiles.

Filmmaker Payal Kapadia carried a piece of Kolkata with her when she walked onto the stage at Cannes 2024 to receive the Grand Prix Award for All We Imagine As Light on May 25. She was wearing an outfit that was exclusively crafted for her by Kolkata-based artisanal clothing brand Maku Textiles in less than a week.

The Telegraph Online recently caught up with Maku Textiles founder-director Santanu Das, an alumni of National Institute of Design, to know the thoughts and craftsmanship that went into Payal’s outfit.

The Telegraph Online: What was your first thought when you came to know that Payal Kapadia wore an outfit designed by you to receive her Grand Prix Award at the Cannes 2024?

Santanu Das: We are part of history now. It was a very special moment. We understood her achievement is going to live forever and with that we will also be attached to her. I wrote to Payal just after I got to know about her Cannes win. It’s wonderful.

Did you know Payal Kapadia before she ordered the outfit from you? How did she come to know about Maku Textiles?

Santanu Das: No, I didn’t know her before that. Maybe that’s because I am not very social and prefer to live in a cocoon.

I don’t know how her team got in touch with me. Things happened very fast. We had to finish the outfit and deliver it in less than a week. I had to send it to Mumbai, and the last person from her team travelling to Cannes hand-carried the outfit.

Could you decode Payal’s Cannes outfit for us.

Santanu Das: We had two pieces — a jacket and a sleeveless silk dress. She wore the jacket at the screening, but it was designed in such a way that you could see the dress from the front. While collecting the award, Payal wanted to open the jacket.

When we were talking about the outfit, Payal wanted something blue and I had something black — but not very black, black. Our signature colour is indigo, so we created a different tonality of black indigo. We also considered that it could be an emotional as well as a vulnerable moment for her and that’s why I wanted her to feel guarded in our design. We talked about how the design needs to be ironed and what earrings would go with it.

Did you speak to Payal to understand how she actually wanted to present herself on the big stage?

Santanu Das: Oh, yeah, we talked a couple of times. We had a long call where we discussed how to go about the styling. We tried to understand what she generally wears and what she would feel comfortable in as we didn’t want to impose anything on her. We were very aware that she is a film director. She is from the creative world, so anything she wears must match her personality.

You are into artisanal fashion. How do you elaborate on it?

Santanu Das: It’s a segment, which isn’t open and big. This specific segment has only a handful of people coming up with handmade signature designs but in a small batch. We do everything by our hand, making it part of a sustainable network. We mix our identity with the neutral cloth to add character to it.

Your label is made in Kolkata and was founded in 2012 but your focus has always been international…

Santanu Das: Our focus has always been on international sales and curation. We want to invest in developing new things. We are present in Japan, China, Taiwan, South Korea, the US, Europe, France, the UK, the Netherlands, Spain and Italy. Stores buy our clothes and then sell them.

In Kolkata, we have an atelier-cum-factory for people who are too keen to visit. We invite them by appointment. Our team comprises 60 people. We have 200 weavers from West Bengal, and our fabric is handwoven. We do everything such as fabrication, stitching and merchandising in Kolkata.

But some people love your work in India…

Santanu Das: I don’t know if anyone in Kolkata knows about Maku Textiles. A few people in Mumbai and Delhi know about us. More than actresses, we get filmmakers, cinematographers and art directors as clients. Anvita Dutt (creator of Bulbbul, Qala) has all my saris. Meenal Agarwal (production director), Konkona Sen Sharma, Tillotama Shome and Dia Mirza wear Maku Textiles. Anushka Sharma also visited our Kolkata studio while shooting for Pari. Both Anvita and Anushka came to know about us from Meenal.

source/content: telegraphindia.com (headline edited)

INTERNATIONAL: ARTS & CULTURE / MOVIES: Cannes 2024: Payal Kapadia’s ‘All We Imagine as Light’ scripts History for India, Wins Grand Prix

The film, the story of two Kerala nurses living in Mumbai, was the first Indian film in 30 years to compete in the main competition at Cannes.

In a historic win for India, Payal Kapadia’s All We Imagine as Light bagged the Grand Prix, the second-highest award at the Cannes Film Festival, on Saturday night.

The film, the story of two Kerala nurses living in contemporary Mumbai, was the first Indian film in 30 years to compete in the main competition at Cannes. It stars Indian actors Kani Kusruti, Divya Prabha and Chhaya Kadam.

The jury for the 77th Cannes was presided over by Barbie director Greta Gerwig and included the illustrious likes of Lily Gladstone, Hirokazu Koreeda, Eva Green, Omar Sy, Ebru Ceylan and others.

American director Sean Baker’s Anora won the Palme d’Or, the top prize at Cannes.

The slate included Francis Ford Coppola’s Megapolis, Yorgos Lanthimos’ Kinds of Kindness, Andrea Arnold’s Bird, Jia Zhang-Ke’s Caught By the Tides amongst others.

The only Indian film to ever win the Palme d’Or — then known as Grand Prix du Festival International du Film — is Chetan Anand’s Neecha Nagar (1946). Mrinal Sen’s domestic help drama Kharij won the Jury Prize in 1983.

“Please don’t wait another 30 years to have an Indian film,” Kapadia said while accepting the honour.

In 1994, Malayalam director Shaji N Karun’s rural-set classic Swaham was the last film from India to compete for the Palme d’Or.

Kapadia, an alumnus of the Film & Television Institute of India (FTII), is best known for her acclaimed documentary A Night of Knowing Nothing, which premiered at the 2021 Cannes Film Festival’s Director’s Fortnight side-bar where it won the Oeil d’or (Golden Eye) award.

source/content: thehindu.com (headline edited)