Category Archives: Arts, Culture & Entertainment

INTERNATIONAL: ARTS & CULTURE: India to Organise World Hindi Conference in Fiji, Feb 15-17

India is set to organise World Hindi Conference between February 15-17 in Fiji.

A 270-member delegation from India will visit Fiji for the event.

Representatives from 50 countries will participate in the event and representatives from South and Northeast India will be presenting papers at the conference.

“Hindi has made limited progress in the United Nations. U.N. press releases are now available in Hindi. We are trying to get Hindi its rightful place at the U.N.” said Saurabh Kumar, Secretary (East), MEA.

source/content: thehindu.com (headline edited)

GLOBAL RECORDS: ARTS & CULTURE / MUSIC: Music Composer Ricky Kej Wins 3rd Grammy Award for ‘Divine Tides’, Dedicates Honour to India

Music composer Ricky Kej, based out of Bengaluru, has won his third Grammy Award for the album ‘Divine Tides’ and dedicated the honour to his home country, India.

The US-born musician shared the award with Stewart Copeland, the drummer of the iconic British rock band The Police, who collaborated with Kej on the album.

At the 65th Annual Grammy Awards, the duo earned the gramophone trophy in the best immersive audio album winner category. They had won a Grammy in the best new age album category for the same album last year.

“Congrats Best Immersive Audio Album winner – ‘Divine Tides’ Eric Schilling, immersive mix engineer; @copelandmusic, @rickykej & Herbert Waltl, immersive producers (Stewart Copeland & Ricky Kej) #GRAMMYs,” announced the Recording Academy, the organisation behind Grammy Awards, on its official Twitter page on Sunday night.

Kej said he was “grateful” for the recognition.

“Just won my 3rd Grammy Award. Extremely grateful, am speechless! I dedicate this Award to India. @copelandmusic. Herbert Waltl Eric Schilling Vanil Veigas Lonnie Park,” the composer captioned a series of pictures on his Twitter page.

Other nominees in the category were: Christina Aguilera (‘Aguilera’), The Chainsmokers (‘Memories… Do Not Open’), Jane Ira Bloom (‘Picturing The Invisible- Focus 1’), and Nidarosdomens Jentekor & Trondeheimsolistene (‘Tuvahyun – Beatitudes for a Wounded World’).

‘Divine Tides’ is a nine-song album that aims to deliver the message that “each individual life plays a crucial role in maintaining the balance that serves all equally”.

Kej took home his first Grammy in the best new age album category for ‘Winds of Samsara’ back in 2015.

As part of his work with The Police, Copeland has won five Grammys. With Kej as collaborator, this is his second award.

source/content: english.varthabharati.in (headline edited)

NATIONAL: TRAVEL & TOURISM: India to Showcase Success in ‘Rural and Archaeological Tourism’ at G-20 meeting

Rural tourism and archaeological tourism will be the topics for two side events at the first tourism ministerial meeting of the G-20 from February 7 to 9.

The Ladpura Khas village of Madhya Pradesh , Khonoma village of Nagaland and heritage sites like Dholavira will be showcased as success stories of rural and archaeological tourism by India during the first tourism working group meeting of the G-20 nations to be held at the Rann of Kutch.

Rural tourism and archaeological tourism will be the topics for two side events at the first tourism ministerial meeting of the G-20 from February 7 to 9 where India will highlight the most successful and innovative initiatives of these from various parts of India, Tourism Secretary Arvind Singh said on Friday.

The Ladpura Khas village of Madhya Pradesh was nominated as the Best Rural Tourism Village by the UNWTO. In this village, the State government developed homestays in villages under the Responsible Tourism Mission of the State.

Success stories will be presented of Kevadiya, Gujarat and some sensitive areas of Jammu and Kashmir like Poonch where OYO Hotels and tribal homestays have been developed.

India will also present the innovative model of community based Astrotourism that involves rural homestays and community spaces that are completely run by villagers and provides travellers an integrated experience of stargazing along with cultural immersion in the Himalayas, while Nagaland’s Khonoma Village will present the model of Ecotourism Management Board that develops Rural Tourism Products and promotes responsible travel.

The success of developing many rural tourism products in and around Rann of Kutch will also be presented.

“The idea is to present rural tourism as a means of community empowerment and poverty alleviation,” Mr. Singh said.

India will also showcase its success in archaeological tourism  and discuss shared cultural heritage with the G-20 delegates. The delegates will be taken to Dholavira which is the southern centre of the Harappan civilisation.

Officials said that the guests would be presented with gifts made under the One District One Product programme to showcase Indian heritage and culture.

The first tourism working group meeting in the Kutch would also work on a Goa Roadmap and Action Plan for Tourism as a vehicle for achieving Sustainable Development Goals. Goa would be the venue for the G-20 ministerial meeting of tourism in June this year.

The meeting will provide a vision, roadmap and guidance for accelerated growth of tourism sector beyond pandemic based on the five key building blocks of Sustainability, Digitalisation, Skills, MSMEs and Destination management towards achieving SDGs, the Secretary said.

source/content: thehindu.com (headline edited)

NATIONAL: ARCHITECTURE & DESIGN: Balkrishna Vithaldas Doshi (1927-2023) | Pioneer of Indian Modernist Architecture

Indian architect BV Doshi has passed away, at the age of 95. Trained under Le Corbusier, he was the only Indian to have been awarded the Pritzker Architecture Prize for designing IIM, Bengaluru.

One of the most distinguished Indian minds in the world of architecture, BV Doshi, passed away at the age of 95 on Tuesday. leaving behind a tall legacy and an irreplaceable void in the world’s design community.

BV or Balkrishna Vithaldas, won the gold medal awarded by the Royal Institute of British Architects in 2022, joining a select league of international names like Le Corbuiser, Louis I Kahn and Edwin Maxwell Fry.

A Padma Bhushan awardee, Doshi was known for designing the buildings of the Ahmedabad-based Centre for Environment and Planning Technology (CEPT) and Mahatma Gandhi Labour Institute.  His style of architecture — an amalgam of European modernist, brutalist architecture with Indian sensibilities — won many hearts.

Shiv Dutt Sharma (93), a contemporary of Doshi who had worked on the Chandigarh project with Corbusier, describes Doshi as “hospitable, amiable, simple and incredibly humble,” adding “He was a dear friend.”

In October last year, when this correspondent reached out to Doshi, his granddaughter Khushnu Panthaki-Hoof, principal architect, Studio Sangath, said that he was not talking to many journalists and was still recovering from a bout of COVID-19, which he had two months ago. But on learning that the article was intended to highlight Corbusier’s legacy, he made an exception. “I consider him my guru,” he had said at that time.

Apart from designing one of the finest buildings in Ahmedabad, Doshi also created designs for low-cost housing. His 1982 project, Aranya Low Cost Housing in Indore won him the 6th Aga Khan Award for Architecture. In another example of the international recognition of his works, Doshi was awarded France’s highest honour for the arts, the Officer of the Order of Arts and Letters, in 2011.

He graduated from the Sir JJ School of Architecture in Mumbai in 1950 and left for Europe soon after, beginning his journey in architecture with Corbusier in Paris between 1951 and 1954. On returning to India, he worked for Corbusier in Ahmedabad.

The celebrated architect authored several books on art and architecture, including Paths Uncharted (2011), Balkrishna Doshi: Writings on Architecture and Identity (2019), and Balkrishna Doshi: Architecture for the People (2019). Meanwhile, international architects ended up writing books on Doshi. This included William J R Curtis’s book Balkrishna Doshi: An Architecture for India, released in 2014.

In his book Paths Uncharted, former Chief Architect of Chandigarh, Sumit Kaur, points to an excerpt where Doshi wrote: “Frankly, at this stage in life I even hesitate in calling myself an architect because the more I think about what Architecture is, the less I feel I know about its true calling. Every time I felt I have mastered it, each new completed project has made me aware of how much more there is to Architecture. As a result I increasingly see myself more as a person seeking my destiny rather than just being an architect planner or such.”

A statement issued by his family said the cremation will take place at 2:30 pm at Thaltej Crematorium. The message read: “No one loved life more than him, ‘ Anand Karo’ – Celebrate Life, as he would always say. He had so many people that he loved dearly and who loved him back. He will leave for his onward journey from our residence Kamala House.”

B.V. Doshi passed away Tuesday, January 24th, 2023

GLOBAL RECORDS: ARTS & CULTURE / CINEMA / MUSIC: RRR’s Golden Globes Win set to make SS Rajamouli the First Indian Director in Hollywood’s Top Rungs

RRR’s win at the Golden Globes is not just a win for SS Rajamouli and his team, but a win for Indian cinema. Now, all eyes are on the Oscars and what’s next for the celebrated filmmaker.

In Short

  • RRR has its sights on the Oscars now.
  • Rajamouli has signed with Hollywood’s premier talent agency CAA.
  • The RRR director has said that a sequel is in the works.

Director SS Rajamouli, Ram Charan, Jr NTR, and composer MM Keeravaani are over the moon with the historic win at the Golden Globes 2023. Following the prestigious award win, the Indians are rejoicing around the world. The big win by Team RRR not just made history for the Indian and Telegu cinemas, but has made it a force to reckon with.

The career path for the Baahubali director has now split wide open and Rajamouli is likely to become the first Indian director to be working in mainstream Hollywood. How did Jakanna, as he is fondly called, get to this incredible moment in his career?

CINEMA FOR INDIANS

All the 12 films that SS Rajamouli has directed so far have been in Telugu and, astoundingly, all of them have been successful at the box office. This is not a simple feat to achieve. With Eega, Rajamouli tasted the success of his films in non-Telugu speaking areas as well, as the movie was dubbed and released in various languages. The success of this film made Rajamouli a household name in India. Come Baahubali, he pushed boundaries not just in terms of the story and scale and, with the marketing blitz, his team created pan-India to ensure that all Indians get to see this larger-than-life film. He used innovative promotional tactics and engaged social media and the millennials to get them hooked on his film. This strategy paid off.

Watch Naatu Naatu from RRR

With RRR, Rajamouli, his cast and their marketing team went a step further. They decided to market it to the world rather than just India. The cast flew to various places, including Japan, and made sure they interacted closely with the media and the audience in every city they visited.

Rajamouli has always said his stories connect emotionally with the audiences and that’s what he strives for – RRR hit this brief 100% on the head. In the United States, moviegoers were impressed with the male bonding and the story of nationalism which emotionally struck a chord with the audience there. It became the second highest-grossing Indian in the US (after Baahubali) and Rajamouli knew that this was the opportunity he had to seize to make inroads into the American awards circuit.

Recently, Rajamouli went on the Seth Meyers and spoke about the success of RRR, stating, “I make films for Indians in India and across the globe. When appreciation came in from the West, our initial thought was that these were friends of Indians who had seen RRR. Then celebrities and story writers started talking about it.”

The momentum set forth by the success of RRR at the box office has led it to making history at the Golden Globes 2023 by getting Naatu Naatu the Best Original Song award, beating the likes of Rihanna and Taylor Swift. However, this is just the beginning for Rajamouli.

HOLLYWOOD NEXT

While Rajamouli may talk about the sequel of RRR, this will be a while in the making given the other film commitments that RRR stars Ram Charan and Jr NTR have at this point. The Magadheera director is also said to have signed a film with Telugu superstar Mahesh Babu. It is Hollywood, though, that the director has his sights firmly set on.

Rajamouli has been signed by the American talent agency Creative Artists Agency (CAA), which is the number one agency in Hollywood. American producers, filmmakers, and actors have sat up and taken notice of Rajamouli’s work and, though he has currently worked only in Indian cinema, they understand that his style of storytelling and vision is as brilliant as some of the best directors in Hollywood.

Take the case of Oscar-winning director Ang Lee. Ang Lee, who started his career with Chinese language films, got roped into Hollywood and went on to successfully straddle the world of English and Chinese cinema. This is the possible career trajectory that Rajamouli could be looking at at this point – his heart may lie with Indian cinema, but Hollywood would allow him the budget, the reach and the opportunity of creating films that could turn out to be as big as the Marvel or DC films. Collaborations with American producers and stars could also allow Rajamouli to create Indian films that appeal to both Indian and Western audiences.

For Rajamouli, RRR was a story about superheroes and not just two freedom fighters. The Yamadonga director has stated that he uses his imagination to create different worlds and his stories have always been ruled by his imagination.

South film industry insiders strongly predict that Rajamouli would definitely sign a Hollywood in the coming times. This would make him the first Indian director to sign a mainstream Hollywood film and once that happens, he will again be creating another new paradigm shift for Indian cinema and the Indian film industry.

With an Oscar prediction for RRR as well, it’s just a matter of time before Rajamouli steps foot into Hollywood.

source/content: indiatoday.in (headline edited)

GLOBAL RECORDS: ARTS & CULTURE/ HISTORY/ MANUSCRIPTS: World’s First Palm-Leaf Manuscript Museum in Kerala capital, a Mine of Stories

The facility is essentially a repository of curious nuggets of administrative, socio-cultural and economic facets of Travancore spanning a period of 650 years till the end of the 19th century.

A treasure house of both obscure and celebrated tales of the erstwhile Travancore kingdom that became Asia’s first to defeat any European power on Indian soil, the recently opened Palm leaf Manuscript Museum in the Kerala capital has further brightened the state’s cultural and academic space.

Billed as the world’s first palm leaf manuscript museum, the facility is essentially a repository of curious nuggets of administrative, socio-cultural and economic facets of Travancore spanning a period of 650 years till the end of the 19th century, besides documents relating to territories of Kochi in the state’s middle and Malabar further north.

Besides brightening the state’s culture space, the museum also serves as a reference point for historical and cultural research for academic and non-academic scholars, officials said.

Among the manuscripts that the museum houses are accounts of the famed Battle of Colachel wherein the valiant Travancore king Anizham Thirunal Marthanda Varma (1729-58) defeated the Dutch East India Company at Colachel, 20 km northwest of Kanyakumari in present-day Tamil Nadu.

This 1741 victory ended Dutch expansion in India, and Travancore under Marthanda Varma became Asia’s first state to defeat the expansionist designs of any European power.

The museum, which opened last week, has 187 manuscripts chronicling a mine of stories based entirely on primary sources: Documents written on cured and treated palm leaves consigned to the corners of the records rooms.

The archival material, in the first phase, was chosen after painstaking sifting from a huge stock of haphazardly stored 1.5 crore palm-leaf records from across the state.

Today, the select documents occupy what is the world’s only manuscript museum that solely displays sheaves of palm leaf materials and allied paraphernalia such as styluses and carriers of the Cadjan bundles, they said.

Bamboo splints and copper plates, too, make a presence. Officials are elated about the museum set up on the ground floor of the three-century-old complex which functions as the Central Archives under the state government.

More so, since this is just the first move towards a major heritage conservation project. With its eight galleries that also feature videos and QR code systems permitting the acquisition of information, the facility is wooing common people and niche researchers alike.

The manuscripts also outline the evolution of writing in the region, points out Dr V Venu, State Additional Chief Secretary (Archaeology, Archives and Museums).

“They give visitors an idea about the emergence of the Malayalam script from older systems such as Vattezhuthu and Kolezhuthu,” he said.

“Primarily, the galleries give a glimpse of the complex administrative systems of land management, path-breaking proclamations of the Travancore royals and international negotiations as well as agreements, besides documents that became historical milestones,” said Venu, also a former Director General of National Museum in Delhi.

The museum here is expected to breathe new life into exploring the entire manuscript collection and hopes to attract more researchers and students.

The collection of palm leaf records will soon move to a modern facility in the city, with arrangements for scientific storage and study.

“It is a safe set-up, giving a comfortable space for research,” Venu said. R Chandran Pillai, Executive Director of the government’s Keralam Museum, the nodal agency assigned to set up and refurbish repositories across the state, claimed that the palm leaf storehouse had no previous models anywhere in the world. The manuscripts straddle six centuries, from 1249 CE to 1896, said J Rejikumar, who heads the Directorate of Archives.

According to author-historian S Uma Maheswari, palm leaves have the capacity to plug certain gaps in Kerala’s history.

“The records may not guarantee continuity to past events, but they own a great potential to lend new angles to existing narratives and strengthen their composition as well as colour,” said the writer of the two-volume Mathilakam Records that essays Travancore history of the last millennium.

“Each item in the museum is a commentary on the state affairs: Revenue, defence, administration, health, education, religion, caste, corruption, crime and whatnot,” Maheswari said.

The museum has eight galleries representing as many segments: ‘History of Writing’, ‘Land and people’, ‘Administration’, ‘War and peace’, ‘Education and Health’, ‘Economy’, ‘Art and culture’ and ‘Mathilakam Records’. The tile-roof museum housed the Central Archives two years after the department was formed in 1962.

Before that, it had been the Central Vernacular Records Office since 1887. Till then, the building was a prison under the Travancore ruler and, prior to it, barracks of his Nair army.

source/content: newindianexpress.com (headline edited)

INTERNATIONAL AWARD: ARTS & CULTURE / CINEMA & MUSIC: Golden Globes 2023: ‘RRR’ wins Best Original Song for ‘Naatu Naatu’

The film is directed by SS Rajamouli, and stars the likes of Ram Charan, Jr NTR, Alia Bhatt and Ajay Devgn among others.

SS Rajamouli’s RRR has created history becoming the first Indian film to win a Golden Globe.

RRR won for Best Original song at the ongoing ceremony for Naatu Naatu. The song is composed by music director MM Keeravaani, and sung by Kala Bhairava and Rahul Sipligunj, with lyrics by Chandrabose.

Also Read | Golden Globes 2023: Here’s the list of key winners

Prime Minister Narendra Modi congratulated the team over Twitter, calling it a “very special accomplishment”.

Ex-Vice President, film personalities congratulate ‘RRR’ team

Former Vice President M. Venkaiah Naidu, Telugu star Chiranjeevi and several other celebrities congratulated musician M. M. Keeravani and other team members of ‘RRR’.

Taking to twitter to congratulate the team over its win, Mr. Naidu said, “Every Indian is proud of the global recognition for #NaatuNaatu song from #RRRMovie Heartiest congratulations to ace music composer, Keeravani Garu & RRR team for bagging the #GoldenGlobes2023 Award for the best original song!”

Chiranjeevi, whose son Ram Charan played the lead role alongside Jr NTR in ‘RRR’, described the global recognition of the film as a ‘historic achievement.’ “What a Phenomenal, Historic Achievement!!!! Golden Globes Best Original Song – Motion Picture Award to @mmkeeravaani garu !! Take a Bow,” he tweeted.

“Heartiest Congratulations Team @RRRMovie & @ssrajamouli !! India is proud of you!,” Chiranjeevi said.

Top Telugu star Nagarjuna also congratulated Keeravani and his team for the feat.

“Congratulations to @mmkeeravaani garu and his team on winning the #GoldenGlobes2023 for #NatuNatu song in #RRR on the way to the oscars now,” Nagarjuna said on Twitter.

The original song nominees were “Carolina,” from “Where the Crawdads Sing,” music by Taylor Swift; “Ciao Papa,” from “Guillermo del Toro’s Pinocchio,” music by Alexandre Desplat; “Hold My Hand,” from “Top Gun: Maverick,” music by Lady Gaga, BloodPop, Benjamin Rice” and “Lift Me Up,” from “Black Panther: Wakanda Forever,” music by Tems, Rihanna, Ryan Coogler, Ludwig Göransson.

Drawing inspiration from the lives of freedom fighters Komaram Bheem and Alluri Sitarama Raju,   RRR narrates a fictional tale set in the 1920s. The film boasts an ensemble cast, starring the likes of Jr NTR, Ram Charan, Ajay Devgn, Alia Bhatt, Olivia Morris, Samuthirakani, Alison Doody, and Ray Stevenson.

RRR is also nominated for Best Picture non-English language category.

source/content: thehindu.com (headline edited)

INTERNATIONAL: ARTS & SCIENCE / PHOTOGRAPHY: NASA Publishes 4 Jupiter Images Processed by Navaneeth Krishnan, Editor, Kerala State Institute of Children’s Literature

Science enthusiasts around the world love to process the raw images taken by The National Aeronautics and Space Administration (NASA)’s spacecraft on various missions.

Science enthusiasts around the world love to process the raw images taken by The National Aeronautics and Space Administration (NASA)’s spacecraft on various missions. It’s a passion for many. Some of their processed works even get recognition by the US space agency. Navaneeth Krishnan, a native of Angamaly won the recognition when NASA published four images of its Jupiter Mission that he processed. 

An editor at the Kerala State Institute of Children’s Literature, Thiruvananthapuram, Navaneeth recently processed the image of the Northern Cyclones on Jupiter taken from JunoCam, the public engagement camera aboard NASA’s Juno spacecraft. NASA also gave credit to Navaneeth for enhancing the colour and contrast of the image.

“NASA’s Juno spacecraft has been making rotations around Jupiter and providing raw images for years. It is the Southwest Research Institute that publishes these raw images which are further processed by various citizen scientists. Every time an image is published by NASA, scores of people from across the globe download it as part of the public engagement project and process it. This is the fourth time that NASA is publishing an image that I processed. I am extremely happy that NASA is recognising my efforts,” says Navaneeth.  

The latest image he worked on a cyclone on the northernmost region of Jupiter, perched near the gas giant’s north pole, was taken on September 29, 2022. While publishing the image in December, NASA said, “Jupiter has eight circumpolar cyclones, and four are visible in this image, framing the northernmost cyclone. 

A small anticyclone (which spins counterclockwise) has wedged its way in just above the northernmost cyclone. The image was acquired on Juno’s 45th pass of Jupiter from an altitude of 17,248 miles and shows features as small as 11.6 miles across. Citizen scientist Navaneeth Krishnan S processed the images to enhance the colour and contrast.” 

Navaneeth has completed his PG in Physics and has always been passionate about astrophysics. 
“I use Photoshop and other softwares like G’MIC-QT and GIMP to process the raw images. So far, I have processed 300 images, of which four images have been published. Processing these can contribute to more discoveries in future,” says Navaneeth.

The frst image processed by Navaneeth that got published was one of Jupiter’s South temperate belt and the Great Red Spot. The second was of Europa taken on September 29 in 2022 at an altitude of around 1,500km. An image of a storm titled ‘Oval BA’ in Jupiter was also processed by him and published by the agency.  

There is no monetary aspect involved in this process in which many space enthusiasts participate.  Navaneeth is also part of the Aastro Kerala Organisation along with many science enthusiasts of all ages, from children to adults.

source/content: newindianexpress.com (headline edited)

INTERNATIONAL: U.K. / LEADERS: Meet Ranjeet Rathore, the First Indian Student to be Head of a Students’ Union in the UK

The pioneering student-politician on what it took to break the glass ceiling of colour and race in UK’s student politics.

While Indians across the world are still celebrating the appointment of Rishi Sunak as the first person of Indian-origin to become the Prime Minister of the UK, it is time to acknowledge the contributions of another political leader whose Indian roots have blossomed to great effect in Britain. Ranjeet Rathore, 26, from Jaipur, is the first Indian as well as the first international student to win their university student elections in the UK, a feat he achieved in June 2018. He held his presidential term till July 2020.

My Kolkata caught up with Rathore to take a deep dive into his political journey, his struggles and aspirations, the challenges of Indian students in the UK and more.

‘People like me were never meant to run for elections’

My Kolkata: Tell us more about how you won the students’ union election at Brunel University, London.

Ranjeet Rathore: My story is an unlikely one. People like me were never meant to run for elections. For people like myself it was never about planning our path to big universities or even to London. It was about keeping our heads low and surviving the tide because we are minorities here. Believing in the Indian teaching of Vasudhaiva Kutumbakam, which translates to “the world is one family”, I was able to get involved in my university and represent the voices of 15,000 students. 

How did everyone react when you became the first-ever Indian students’ union president in the UK?

The news of my victory was met with mixed reactions, as I wasn’t the traditional white candidate running for president. I wasn’t the “obvious choice”, as one would say! On one hand, the international student community was overjoyed with the results as “one of their own” had been elected. And on the other, there were people who had their doubts and were naysayers with respect to the results.

What are you currently involved in? 

I’m currently doing a balancing act of sorts, with my time split across two major things. First, community work, which I’m super passionate about, where I volunteer my time and resources with a number of charities from food banks to community trusts to working with youth organisations as well as the Indian High Commission. Second, working with the national political party — The Conservatives, in various capacities, from helping at the grassroots with organising and mobilising campaigns to advocating on a large scale when necessary. 

‘We can’t expect politics to change if we leave it to the same old people to run it’

How did you get interested in student politics in the UK? What are the challenges of being a student politician of colour in the UK?

Initially, I didn’t believe politics was for me. But we can’t expect politics to change if we leave it to the same old people to run it. Politics is for everyone. I’m a big believer in the fact that we need leaders who understand what it’s like to live like us, to face the everyday issues we face. That is why I got into politics. To give our youth and our communities a voice. 

The challenges of being a youth leader of colour are many. From systemic oppression to being up against elitist groups to being treated as a second-class citizen. 

What is your view of the political affiliations of the student community in the UK? Are they inclined more towards Labour or the Conservatives? Do student affiliations fluctuate a lot depending on demography and/or ethnicity?

There are both types of affiliations (towards the Conservatives and Labour) that prevail in the UK. Demographics and socio-economic factors play a major role in deciding which side you lean. Some universities and campuses are very vocal and Labour-leaning. Some universities are liberal but have other political views. With time and age, students get more clarity on what the right affiliation is for them as individuals. Regardless of political affiliation, I believe quality education should be the key focus. With the right education, students and adults in general will make more informed political decisions.

‘I was a volunteer campaigner for Team Boris, pulling in the masses to come out and campaign’

What did your work with Boris Johnson’s team entail?

Perhaps the highlight of my work so far came during the two-election season we saw in 2019, one being the snap elections and the second being the general elections. I was a volunteer campaigner for Team Boris, pulling in the masses to come out and campaign. Our work involved facilitating a wide range of conversations, developing strategies to drive change in the boroughs and beyond, delivering projects, resources and creating awareness about important causes through public engagements and door-to-door campaigning.

What are your long-term plans for UK politics? Do you ever plan to join politics in India?

There’s this famous saying by Marc Anthony, “If you do what you love, you’ll never work a day in your life.” I plan to carry on doing what I love doing for the community. There are general elections in the UK in 18 months’ time, and if during the lead up to it, the right opportunity comes along, I’ll try to do justice to whatever role I’m given in the UK’s political landscape. In terms of Indian politics, I plan to be a cheerleader of India’s economic growth and support its young leaders by getting more involved in shaping the nation. With India assuming the presidency of G20, I am leading projects for Youth G20 from the UK to discuss and debate global challenges and policy recommendations that people would like G20 leaders to take forward. 

‘I hope Sunak provides more opportunities to international students, especially Indians’

How do you envision the UK-India relationship developing considering Rishi Sunak is now the Prime Minister of the UK?

Sunak himself summarised it quite well when he said that the UK-India relationship should be a “two-way exchange”. This will benefit both the economies, especially when it comes to collaborating on big projects such as the India-UK Free Trade Agreement. I also hope it provides more opportunities to international students, especially Indians, since I’ve always been an advocate for the post-study work visa in the UK for Indian students. Overall, under Sunak, I think the future is immensely bright for the exchange of knowledge and business between both countries. 

Do you think the UK’s current policies are doing enough to battle systemic racism against Indians?

To battle systemic racism against Indians or anyone, the most important thing to do is to call it out. There are structural problems with race within our communities. A lot of groundwork is being laid to address this issue. The government has formed an Equalities Office, whose entire purpose is to eradicate systemic racism. From decolonising the curriculum to workplace changes to reformation of the criminal justice system, there’s a lot that’s being done.

‘The rightful country as far as the Kohinoor goes is India’

Following Sunak’s appointment, there was even more talk of the UK giving back the Kohinoor and which nation would be entitled to get it should that happen. What’s your take?

In August, London’s Horniman Museum agreed to return 72 stolen Nigerian artefacts, including the Benin Bronzes (a group of sculptures made of brass and bronze), taken over a hundred years ago. So, following the same precedent, the rightful country as far as the Kohinoor goes is India. 

What are the biggest social issues or challenges Indians face in the UK that you are trying to solve?

Indians in the UK work very hard, but the barriers to success are very high. From colourism to  systemic racism, from mental health being a taboo to housing issues to lack of  social mobility, it’s a long list. A lot of these come from the systemic hierarchies which have been embedded since colonialism began. My work to address these issues includes working on a race and equality charter with my university, lobbying for more BAME (Black, Asian and minority ethnic) jobs and making Indians more aware about the resources they have available that can help them succeed. 

source/content: telegraphindia.com/mykolkata headline edited)

INTERNATIONAL: ARTS & CULTURE / OVERSEAS: India Restoring Angkor Wat Temple in Cambodia: External Affairs Minister S. Jaishankar

‘Today, we are restoring and renovating the temples in Angkor Wat. These are contributions which we are making outside because the civilisation of India has gone beyond India’.

The Angkor Wat temple complex in Cambodia is being restored by India because our civilisation is not limited to India, but is spread across countries, External Affairs Minister S. Jaishankar on Sunday said.

Addressing the Kashi Tamil Sangamam on the subject ‘contribution of temples in society and nation building’ being held here, Mr. Jaishankar said, “There are temples not only in India, not only in the Indian subcontinent, but in many regions beyond.”

“I had gone with the Vice President to see the biggest temple in the world—the Angkor Wat temple complex. Today, we are restoring and renovating the temples in Angkor Wat. These are contributions which we are making outside because the civilisation of India has gone beyond India,” he said.

“So, today when we are restoring, rebuilding, and re-energising Indian civilisation, our task is not only in India. Our task is all over the world. But, it is not only where our civilisation went, it is also where our travellers went, our traders went, our people of faith went,” he said.

Recalling his days as India’s ambassador to China, the minister said, “Some of you know that for many years, I have been an ambassador to China. I have seen the remnants of Hindu temples even in China on the east coast.” He said that there is a very special connection between Ayodhya and Korea, whose people want to be associated with the developments in Ayodhya, he said.

He also mentioned that Shrinath jee temple in Bahrain, and said, “All these were established by our people, when they went out. It is a matter of pride for us that we are building a temple in UAE, that we got approval to built a temple in Bahrain. We have done a lot of work in Vietnam.”

“So, how do we today take our culture out, take our values, our philosophy, our way of life and share it with the rest of the world through activities outside. We are very committed in the foreign ministry to doing that. We also support what people of India are doing outside … There are more than 1,000 temples in the US,” he said.

He said that there are 3.5 crore Indians and people of Indian origin abroad, who have taken Indian culture with them abroad. “So, it is also our efforts today to support them, and we do it in different ways.” Mr. Jaishankar also informed the audience that Prime Minister Narendra Modi has pledged ₹200 crore to build a Ramayan Circuit into Nepal, “so that all of us will have an opportunity to visit our heritage in close quarters.”

“Even in Sri Lanka, we restored the Thiruketheeswaram Temple in Mannar. This temple was closed for 12 years. So the fact that we took interest, made efforts, has made it possible for the revival of that temple,” he said.

Thiruketheeswaram Temple, one of the five sacred Ishwarams dedicated to Lord Shiva, is venerated by Shaivites throughout the subcontinent and the temple was testimony to the most difficult period in the history of Sri Lanka as it was closed for 12 years during the armed conflict and reopened in 2002.

The minister also said that in Nepal after the 2015 earthquake, many temples were damaged because they were old. “We have committed $50 million for restoration of cultural heritage in Nepal.”

source/content: thehindu.com (headline edited)