Category Archives: World Opinion

Kho Kho World Cup: After women, Indian men’s team also crowned champion

The Men in Blue dominated the final against Nepal with captain Pratik Waikar and tournament standout Ramji Kashyap leading from the front.

The Indian men’s team beat Nepal 54-36 in the final to win the inaugural Kho Kho World Cup title in New Delhi on Sunday (January 19, 2025).

The Indian men’s team title came after the women’s side were also crowned the champions after defeating Nepal in the final.

The Men in Blue dominated the final against Nepal with captain Pratik Waikar and tournament standout Ramji Kashyap leading from the front.

Attacking first, an exceptional sky dive by Ramji Kashyap got Nepal’s Suraj Pujara. Suyash Gargate then touched Bharat Sahu to give India a great start with 10 points in just four minutes.

Sky dives were the name of the game for the Men in Blue, and this ensured a bright start for the side in Turn 1, preventing the Dream Run for their opponents. At the end of the turn, the scoreline was 26-0 in favour of the Indians.

In Turn 2, Nepal were not able to match India’s levels but did prevent the home side from going on a single Dream Run.

Aditya Ganpule and skipper Pratik Waikar carried the team through this turn, and despite regular touches from the likes of Janak Chand and Suraj Pujara, India carried a 26-18 lead into the second half of the clash.

India were in their stride in Turn 3, displaying unwavering confidence throughout. Captain Pratik Waikar shone on the mat with multiple sky dives, and with the support of Ramji Kashyap, another star of the tournament.

Aditya Ganpule was also at his finest, and the home team’s collective effort took the score to 54-18 entering the final turn of the match – and the tournament.

Nepal fought hard in Turn 4 in their bid to come back against India. But the defenders, once again led by Pratik Waikar and Sachin Bhargo proved too strong. Mehul and Suman Barman were equally impressive.

India showcased their dominance throughout the tournament, beginning with convincing victories over Brazil, Peru and Bhutan in the group stages. Their momentum continued through the knockout rounds, where they outclassed Bangladesh in the quarterfinals before overcoming a strong South African side in the semifinals.

source/content: thehindu.com (headline edited)

Kho Kho World Cup: Indian women’s team crowned champion

Indian women’s team wins with a dominant 78-40 victory over Nepal, showcasing speed and skill.

The Indian women’s team emerged as champion in the inaugural Kho Kho World Cup with a dominant 78-40 victory in the summit clash against Nepal here on Sunday (January 19, 2025).

On a memorable night at the Indira Gandhi Indoor Stadium here, India produced a masterclass of speed, strategy and skill, dishing out a clinical show.

A brisk start marked Turn 1 as the Indian attackers took charge of the proceedings. Three batches in the Nepal women were out by simple touches on 7 occasions, putting 14 points to India’s kitty.

Skipper Priyanka Ingle was in the best form with multiple touch points to her name, as the hosts started off in an excellent manner. This was enough to take the Women in Blue to 34 points and preventing a single Dream Run for the Nepal team.

Manmati Dhami got Vaishnavi Pawar, and B. Samjhana eliminated Priyanka Ingle, but B. Chaithra took India’s first batch of Turn 2 into the Dream Run.

It wasn’t for long, though, as Dipa completed the ‘All Out’ just moments later. This got the side back into the game, but they only managed to score 24 points at the end of Turn 2, with an 11-point deficit at half time.

India was once again the dominant force in Turn 3, never allowing the Nepal defenders to settle in their stride. B.K. Dipa was a regular for Nepal, but it went in vain throughout, ensuring that the Indians edged closer to the trophy.

source/content: thehindu.com (headline edited)

India-U.S. joint Sonobuoy production line expected to be ready by 2027

India and the U.S. had last week announced the ‘first-of-its-kind partnership on co-production’ of U.S. sonobuoys for Undersea Domain Awareness for the Indian Navy.

The final assembly of sonobuoys from the U.S., meant for detecting submarines underwater, will be done in India and an operational production line is expected to be ready in 2027, according to the U.S. company Ultra Maritime (UM). The systems will be co-produced in India in partnership with defence public sector undertaking Bharat Dynamics Limited (BDL).

In a significant development, India and the U.S. last week announced the “first-of-its-kind partnership on co-production” of U.S. sonobuoys for Undersea Domain Awareness for the Indian Navy, a high-end technology that allows tracking of submarines in the deep seas and oceans. The announcement was made in the fact sheet issued at the end of U.S. National Security Advisor Jake Sullivan’s visit to India last week.

“Workshare will be in line with the principles of Make in India. Final assembly will be done in India. Our goal is to have an operational production line in 2027,” Ultra Maritime said in response to questions from The Hindu sent on email. “These will be U.S.-specification sonobuoys equivalent to those used on the P-8 aircraft.”

Chairman of BDL, Commodore A. Madhavarao (retd.), had stated that they are looking to set up joint production with Ultra Maritime in Vishakhapatnam.

The U.S.-based company, a world-leader in the design and production of undersea warfare capabilities, has already stated that in line with the U.S.-India Initiative on Critical and Emerging Technologies (ICET) launched in May 2022, they will also pursue new sonobuoy technologies with BDL teams to optimise their acoustic performance in the unique environment of the Indian Ocean, enabling wide area search through bespoke multi-static active solutions. To a question, the company clarified that this was in addition to the initial production already envisaged.

On the future outlook, Ultra Maritime said it was working with BDL to identify opportunities for Indian suppliers to enter its global supply chain.

An Ultra Maritime statement issued last week had stated that the UM sonobuoys co-produced in India are interchangeable and interoperable between the U.S. Navy, Indian Navy and allied P-8, MH-60R and the MQ-9B Sea Guardian aircraft.

The development is of particular significance as India has over the years acquired a series of military platforms from the U.S. that are also operated by other countries in the region, especially Australia and Japan, which too are part of the Quad grouping and also hold the Malabar naval exercise. These sonobuoys are dropped from aircraft and helicopters. India is also pursuing another technology – sensors embedded on the ocean bed – and recently some progress has been made as a few Indian start-ups showcased the technology that is now undergoing trials.

As China undertakes massive expansion of its navy and also its presence in the Indian Ocean, undersea domain awareness has become critical and Indian Navy has been collaborating with countries on the region, especially the Quad group.

Indian Navy operates the P-8I long-range maritime patrol aircraft, is inducting the MH-60R multi-role helicopters and has two MQ-9A armed High Altitude Long Endurance (HALE) Remotely Piloted Aircraft Systems on lease. It signed a $3.5 billion contract in October 2024 for 31 MQ-9B–15 Sea Guardians for the Indian Navy and 16 Sky Guardians, eight each for the Army and Air Force, with deliveries to begin from January 2029.

source/content: thehindu.com (headline edited)

Oscars 2025: Payal Kapadia’s seat at the big table

A lack of budget certainly didn’t stop the filmmaker. Her big win at Cannes, along with rave reviews, special screenings and strong distributors with festival know-how have given her an edge.

In the spring of 2022, S.S. Rajamouli’s historical action drama RRR was a huge hit in India and in the global Indian diaspora market when two American distributors floated the idea of releasing it once again — to reach an audience not usually drawn to Indian films.

With great word of mouth and reviews, the film pulled more American audiences. It was quite unlike anything Americans had seen. RRR ended up winning a few critics’ association awards and a Golden Globe for the song ‘Nattu Nattu’. One day before the final Oscars voting began, the distributors, Variance Films and Potentate Films, organised a sold-out screening in the 1,647-seat Ace Hotel Theatre in Los Angeles. A couple of weeks later, ‘Nattu Nattu’ won an Oscar for Best Achievement in Music Written for Motion Pictures.

Indian films rarely make such an impact in the U.S. during the awards seasons. I have been observing this for over four decades, first as a journalism student, then an entertainment writer and the festival director of the oldest Indian film festival in North America. Unless it is a work of the magnitude of Richard Attenborough’s Gandhi — a British-Indian co-production that won eight Oscars in 1983, beating Steven Spielberg’s most loved film E.T., the Extra-Terrestrial. Danny Boyle’s Slumdog Millionaire also won eight Oscars, but unlike Gandhi it was a British production with no Indian producer attached to it.

Grand Prix sets the ball rolling

Marketing, promotion, and celebrity endorsements are often a big part of the awards campaign. In the fall of 2001, British filmmaker Roland Joffé (The Killing Fields) called a few of his friends in Hollywood — all members of the Academy of Motion Picture Arts and Sciences. Joffé had seen Ashutosh Gowarikar’s Lagaan, which was India’s entry for the Best Foreign Language Film. He had liked the film — about a farmer during the British Raj who challenges its officers to a game of cricket to get tax exemption — and wanted to make sure his friends would attend the Academy’s screening.

But in all these years I had not seen an Indian film reach American shores with a stamp of having won an award at a major film festival — not until May 2024, when Payal Kapadia’s second feature All We Imagine as Light won the Grand Prix at the 77th Cannes Film Festival. It was the first Indian film in 30 years to play in the main competition section of the festival.

Suddenly, it seemed everyone was talking about All We Imagine as Light, a Malayalam language drama on three working women and the transformative power of friendship and sisterhood. IndieWire gave it an A rating; they are usually very conservative in their reviews. And senior critic Peter Bradshaw of The Guardian gave the film a five-star rating, comparing it to Satyajit Ray’s Mahanagar and Aranyer Din Ratri.

his followed screenings at the top three fall season festivals in North America: Telluride, Toronto and New York. There were more awards, including from several American critics’ associations. And even though India did not submit All We Imagine as Light for the Academy Award for Best International Feature Film, the buzz about it remained strong.

According to filmmaker and film preservationist Shivendra Singh Dungarpur the reason for the success of All We Imagine as Light is the new film language that Kapadia has developed. “She blends fiction with documentary style of filmmaking giving her narrative an almost hypnotic quality,” he says. “You can’t tell where the fiction begins and when it is pure documentary.” Mumbai-based Kapadia worked as an assistant with Dungarpur before she joined the Film and Television Institute of India (FTII). Her journey since has been one of resilience — overcoming wrongful charges of rioting at FTII (where her scholarship was suspended), to persisting with her vision even when her films never found a local audience. Until now.

Under a Golden spotlight

One of the advantages All We Imagine as Light could have had is its European producers. “I don’t know [if there’s a specific] benefit in having a producer from a different part of the world… but if you are keen to premiere at a film festival in Europe, then European producers know the process,” says Kapadia. “Now, many Indian producers are learning about it, along with the American festival system. Look at Reema Das. She is her own producer and has always premiered her movies at top-level festivals. Her films are very local and yet the themes resonate across the world.”

Late last year, several critics and major publications — from The New York Times to Sight and Sound magazine ranked All We Imagine as Light as the number one film of the year. In its recent Instagram post, Sight and Sound described the film as “a delicate, dreamlike tale of loneliness and fellowship” and added that the film recalled works of Ray and Wong Kar-wai. One day after Christmas, Variety named Kapadia as one of the international breakouts of the year.

So, no one seemed surprised when All We Imagine as Light received two Golden Globes nominations, including one in the Best Director category. Variety wrote this reflected “Kapadia’s growing influence in world cinema”. This was the first such nomination for an Indian filmmaker for a film made in India. In 1999, Shekhar Kapur received a Best Director nomination for Elizabeth, but that was a British production.

All We Imagine as Light also received a Golden Globes nomination for Best Motion Picture – Non-English Language. The Academy of Motion Picture Arts and Sciences only accepts one international film submitted by each individual country, but the Hollywood Foreign Press Association — the body that awards the Golden Globes — accepts submissions by producers of foreign language films. And so the filmcould compete.

For a while now, commentators have said that the Golden Globes have lost their significance. But one cannot deny that Academy members and studios seriously follow the Globes — the nominations and the awards. (And since any film that runs for a week in any of the U.S.’s six metropolitan areas is eligible to be nominated for the Oscars, All We Imagine as Light is a contender.)

Kapadia attended the Globes dressed in a black silk outfit designed by Payal Khandwala and she wore earrings gifted to her by her mother, the painter Nalini Malani. She was accompanied by her two French producers, Thomas Hakim and Julien Graff, and cinematographer Ranabir Das. “It was such a huge honour to be nominated,” Kapadia shares the day after the Golden Globes ceremony. “The nominations really put our film back in people’s attention. And of course, talking to stars you have admired is always a thrill. I met Jodie Foster as well as director Walter Salles who had both seen our movie, and they liked it!”

Kapadia’s chance of winning a Globe was never definite, given the competitive field she was in, but her name has already registered in the minds of many Academy members. Meanwhile, last week, the film was longlisted in three categories for the British Academy Film Awards (BAFTA), including best director.

Celebrity support for Indian films 

The torch of All We Imagine as Light has been kept burning by the film’s two distributors, Janus Films and Sideshow. The former had two other foreign language films nominated for the Golden Globes: Vermiglio (Italy), a drama set during World War II, and Flow (Lithuania), a fantasy adventure about a solitary cat’s survival. Flow won the Globe for the Best Motion Picture, Animated.

“We are lucky to work with Janus and Sideshow who really take care of the films they distribute,” Kapadia says. “They understand this system well and make sure that the campaign effort is streamlined and specific. We don’t have a major studio funding backing this effort so it’s sheer hard work from everyone involved.” A stark contrast to money-backed films such as RRR or even a Gandhi, which had the support of a big studio for its Oscar campaign.

But in a crowded field with Hollywood and foreign language films competing for the short attention span of Academy members, celebrity support for films can be really helpful. Late last year before the Oscar shortlists were announced, Mexican filmmaker Alfonso Cuarón hosted a screening of Kiran Rao’s Laapataa Ladies in London. British film director of Indian origin Gurinder Chadha, who is a member of the Academy along with Cuarón, also attended the screening.

In mid-November, Indian-American filmmaker Mira Nair moderated a post-screening Q&A of All We Imagine as Light with Kapadia at NeueHouse, a small theatre in Manhattan with just 86 seats. The screening was organised by Janus Films and Sideshow to generate interest before the limited release of the film on November 15 in New York City. But it was also intended to start the buzz among Academy members based in the city. The NeueHouse screening was attended by a few Indian-American Academy members, including publicist Gitesh Pandya and producer Shrihari Sathe. Nair is also an influential member of the Academy.

The same evening, Netflix hosted a screening of Laapataa Ladies in New York City. At the time, the film was in consideration for the Best International Feature Film award. Kiran Rao and Aamir Khan were present as was Nair, who did a Q&A with the director and producer. Nair then rushed to moderate the NeueHouse Q&A of All We Imagine as Light. She had seen Kapadia’s film earlier.

Is another nomination likely?

These special screenings by well-known filmmakers are held throughout the awards seasons. In December, Kapadia was interviewed by director Shuchi Talati (Girls Will Be Girls) after the film’s screening at Film Forum, a prime art-house theatre in New York City. Again, the Q&A was meant to create a buzz about All We Imagine as Light as the Academy members were getting set to watch the films in consideration. The film is now in its eighth week of theatrical run at Film Forum.

And earlier at the end of October, Kapadia was in Japan for the Tokyo International Film Festival when she had an in-depth conversation with the Japanese master Hirokazu Kore-eda. (Kore-eda received a Palm d’Or at the Cannes Film Festival in 2018 for Shoplifters. The next year Shoplifters received an Academy Award nomination for the Best Foreign Language Film.)

During the conversation, Kore-eda asked Kapadia her thoughts on All We Imagine as Light not being sent to the Academy Awards. Her response was measured and diplomatic. “I think with this film, it got a lot already. I’m very satisfied with how the journey of the film has gone. And it’s been really more than I expected. So everything that comes its way, it’s like a bonus for me.”

All We Imagine as Light has had a huge success in finding distribution deals in 85 countries. And according to Zico Maitra, one of the film’s producers, it has already opened in 43 countries, including just recently in the U.K., Germany and Spain. After a limited release in India, the film is also streaming on Disney+Hotstar. Kapadia wanted her film to be seen by people across the country. Hence, the screenings took place in major cities, but also those that could be described as Tier-II cities: Guwahati, Chandigarh and Kanpur. The OTT release is a part of the extra bonus Kapadia mentioned.

Voting for the Academy Awards is on from January 8 to 12, and the nominations will be announced on January 19. While no one can predict whether All We Imagine as Light will receive any nominations, this much is clear: Kapadia and her film already have a seat at the main dinner table. She will be there even after the award season has ended.

The writer is a film festival programmer and author.

content/source: thehindu.com (headline edited)

IIT-Guwahati develops advanced nanotechnology for cholesterol, triglyceride detection

The institute claims that their researchers have focused on a technique that combines nanotechnology and molecular detection, which can further be translated into a point-of-care as device with an enhanced diagnostic precision.

Researchers at Indian Institute of Technology (IIT), Guwahati have developed an innovative approach to improve the detection of cholesterol and triglycerides by integrating Surface-Enhanced Raman Scattering (SERS) on the nanoscale objects, officials said.

The findings of the research were recently published in the noted journal –Biosensors and Bioelectronics.

According to Dipankar Bandyopadhyay, Professor at Centre for Nanotechnology and Department of Chemical Engineering, IIT-Guwahati, the work utilises bimetallic nanostructures that are 10,000 times thinner than the width of a human hair for the high-fidelity detection of the biomarkers in the human blood.

“The metabolic biomolecules like cholesterol and triglycerides play pivotal role in maintaining a harmonious cardiovascular health of a human body. The high (HDL) and low (LDL) density lipoproteins transport cholesterol to the cellular sites for various metabolic activities,” he said.

Bandyopadhyay explained an imbalance of LDL and HDL causes arterial plaque formation leading to hypertension, formation of blood clots, or ischemia.

On the other hand, triglycerides (TGA) transform into fatty acids and glycerol during digestion which in turn is packaged inside lipoproteins namely very low-density lipoprotein (VLDL), for transportation to the cells. An elevated level of triglycerides leads to atherosclerosis and coronary artery disease, pancreatitis, type 2 diabetes, or fatty liver, he said.

“Therefore, the timely detection of any abnormality and a close monitoring of cholesterol and triglyceride levels in blood is highly sought for. While traditional lipid profile tests of blood are reliable, they often require laboratory settings, are not available as a point-of-care solution, and can take time to provide results,” he said.

IIT-Guwahati claimed that their researchers have focused on a technique that combines nanotechnology and molecular detection, which can further be translated into a point-of-care as device with an enhanced diagnostic precision.

“The researchers employ SERS active bimetallic nanostructures – the silver shelled gold nanorods, which enable a plasmonic resonance hybridisation of silver and gold to produce augmented spectral resolutions as compared to pristine silver or gold nanorods.

“Subsequently, these bimetallic nanorods are linked to two different Raman active receptors and immobilised with the enzymes cholesterol oxidase and lipase for concurrent detection of different concentrations of cholesterol and triglycerides. Such innovations help in the development of a platform for the ultrafast point-of-care detection kit with a higher level of the detection sensitivity,” Bandyopadhyay said.

Except for the headline, this story has not been edited by The Telegraph Online staff and has been published from a syndicated feed.

source/content: telegraphindia.com (headline edited)


Indian-origin tech firms corner 1/5th of H1B visas issued by U.S.

Out of these, Infosys took the lead with 8,140 beneficiaries, followed by TCS (5,274), and HCL America (2,953).

Indian-origin tech companies cornered a fifth of all H1B visas issued by the U.S. with Infosys and Tata Consultancy Services leading the pack, an analysis of data from the US immigration department showed.

According to data from the U.S. Citizenship and Immigration Services, in April-September 2024 period, out of the total 1.3 lakh H1B visas issued to different employers, about 24,766 visas were issued to Indian-origin companies.

Out of these, Infosys took the lead with 8,140 beneficiaries, followed by TCS (5,274), and HCL America (2,953).

Infosys came second to only Amazon Com Services LLC, which topped with 9,265 visas.

Cognizant, which was founded in Chennai but now has headquarters in New Jersey, ranked third in the list with 6,321 visas.

The H1B visa programme allows U.S. companies to temporarily employ foreign workers in specialty occupations. Indian companies have been significant beneficiaries of this programme, particularly in the technology sector.

Major Indian IT services firms such as Tata Consultancy Services (TCS), Infosys, Wipro, and HCL Technologies have consistently ranked among the top employers for H1B visa holders. Wipro was lower down this time with 1,634 visa grants. Tech Mahindra stood close by, having been issued 1,199 visas.

While these companies continue to benefit from the programme, ongoing developments indicate a need for adaptation in response to regulatory changes and public sentiment. The future of the H1B visa will likely depend on balancing the needs of the US businesses for skilled labour with broader immigration policy reforms.

Elon Musk, a former H-1B visa holder whose company Tesla utilises this programme, has publicly supported the tech industry’s reliance on foreign workers.

In a post on X on December 28, Mr. Musk emphasised the importance of welcoming individuals from all backgrounds who contribute to the U.S. through hard work. He passionately advocated for preserving America as a land of freedom and opportunity.

Mr. Musk’s statement also received backing from President-elect Donald Trump whose first administration restricted the programme in 2020, arguing that it allows businesses to replace Americans with lower-paid foreign workers.

source/content: thehindu.com (headline edited)

How Haryana’s Carterpuri village was named after former US President Jimmy Carter

Jimmy Carter, the third US president to visit India, had a personal link through his mother, Lillian, who served as a Peace Corps health volunteer in the 1960s.

Jimmy Carter, the 39th US president and third American leader to visit India, after whom a village in Haryana was named Carterpuri has passed away at 100 in Georgia.

Carter, the longest-lived president in US history, passed away on Sunday at the age of 100.

According to the Carter Centre, on January 3, 1978, Carter and then First Lady Rosalynn Carter travelled to the village of Daulatpur Nasirabad, an hour southwest of New Delhi.

He was the third American president to visit India and the only one with a personal connection to the country – his mother, Lillian, had worked there as a health volunteer with the Peace Corps during the late 1960s.

“The visit was so successful that shortly after, village residents renamed the area ‘Carterpuri’ and remained in contact with the White House for the rest of President Carter’s tenure. The trip made a lasting impression: Festivities abounded in the village when President Carter won the Nobel Peace Prize in 2002, and January 3 remains a holiday in Carterpuri,” the Carter Centre said.

“In fact, since the Carter administration, the US and India have worked closely on energy, humanitarian aid, technology, space cooperation, maritime security, disaster relief, counterterrorism, and more. In the mid-2000s, the United States and India struck a landmark agreement to work toward full civil nuclear cooperation, and bilateral trade has since skyrocketed,” the centre said.

President Carter understood that shared democratic principles formed a strong foundation for a long, fruitful relationship between the US and India. It is, therefore, no surprise that the two nations grew steadily closer in the decades after he left office, it said.

“India’s difficulties, which we often experience ourselves and which are typical of the problems faced in the developing world, remind us of the tasks that lie ahead. Not the Authoritarian Way,” Carter had said on January 2, 1978.

A day later at the signing of the Delhi declaration along with then Prime Minister Morarji Desai, Carter said at the heart of the friendship between India and the US is their determination that the moral values of the people must also guide the actions of the states, the governments.

With PTI inputs

source/content: hindustantimes.com (headline edited)

National Maritime Heritage Complex at Lothal,Gujarat crucial to make India leading maritime nation: Sonowal

Union minister Sarbananda Sonowal on Saturday said the ₹4,300-crore National Maritime Heritage Complex being developed at Lothal in Gujarat is a project of national importance and will be a crucial step towards making India a leading maritime nation.

Sonowal, who is Ports, Shipping and Waterways Minister, reviewed the progress of the NMHC project along with Union Sports and Youth Affairs Minister Mansukh Mandaviya and Gujarat Chief Minister Bhupendra Patel.

Secretary of the Ministry of Ports, Shipping and Waterways, T K Ramachandran, said, “The phase 1-A of the project, coming up with an estimated cost of ₹1,200 crore, is expected to get over by August, 2025, with 65 per cent of its construction completed.” The entire project, being executed in two phases, is expected to be completed by 2028, he said.

Work on phase 1-A of the project, comprising six galleries, jetty walkway, Lothal town, etc, started in March 2022, before the Union Cabinet approved it in October 2024.

Apart from 14 galleries in phase 1 , phase 2 will have conceptualisation of Lothal city as it existed in ancient times, surrounded by the pavilions showcasing the maritime heritage of coastal states in their individual pavillions, he said. “We are planning for the inauguration of the Phase 1-A of the project by August-September 2025, and the aim is to complete the entire project by 2028. We have completed 65 per cent of the work under phase 1-A,” he said.

The Union ministers toured key project landmarks, including INS Nishank, the Lothal Jetty Walkway and the Museum Block, and interacted with workers at the site to know their challenges and work progress.

Sonowal expressed satisfaction with the significant milestones achieved in civil infrastructure development, noting that the project is advancing on schedule, an official release said.

He said the government is committed to ensuring that the NMHC is completed on time and is of highest standards.

“This project will boost tourism, provide a platform for maritime education, and foster collaboration between India’s maritime community and the global industry. It is a crucial step toward making India a leading maritime nation,” the release quoted him as saying. “The NMHC is a project of national importance, offering tremendous opportunities for growth and learning in the maritime sector.

The visionary leadership of PM Narendra Modi ji has ensured that India remains on course towards all round development of the country and that the people reap the fruit of India’s developmental story,” Sonowal said.

The project will boost tourism, provide a platform for maritime education, and foster greater collaboration between India’s maritime community and the global maritime industry, he added.

The release said this world-class facility will showcase India’s maritime heritage from ancient to modern times, adopting an innovative “edutainment” approach using cutting-edge technology to spread awareness and attract international tourists. Lothal, located some 80 km away from Ahmedabad, was a prominent city of the ancient Indus Valley Civilisation dating back to 2400 BCE.

It holds historical significance for its advanced dockyard, thriving trade and renowned bead-making industry. Artefacts such as seals, tools, and pottery unearthed by archaeologists reveal a rich cultural and economic history, making it a key Harappan site.

Designed as a world-class destination under the Sagarmala Programme of the Union government, the NMHC aims to showcase India’s naval achievements and cultural connections through interactive exhibits, state-of-the-art displays and engaging storytelling.

This initiative is poised to not only preserve India’s maritime heritage but also to attract global tourists and foster a deeper appreciation of its historical significance, the release said. “The idea is to generate a movement regarding knowledge about our heritage.

We are also looking at tourism with the development of several tourist circuits, and nearby heritage sites, oceanic, cruise and coastal tourism will be connected to this.

We hope that in the years to come, this will be one of the biggest complexes in the world,” Ramachandran said.

The ministry has also planned collaboration with 25 countries and signed MoUs with countries such as Portugal, UAE and Vietnam for the project, officials said.

Phase 1-B of the project will have eight galleries, a lighthouse museum, a ‘Bagicha complex’, and a 5D dome theatre. Museutel , eco resort, coastal state pavilion, Lothal city, theme-based parks and maritime research institute and hotel are highlights of phase 2 project.

This article was generated from an automated news agency feed without modifications to text.

source/content: hindustantimes.com (headline edited)

Trump nominates Indian American Kash Patel as FBI Director

Mr. Trump said Mr. Patel played a pivotal role in uncovering “the Russia, Russia, Russia Hoax,” standing as an advocate for truth, accountability, and the Constitution.

President-elect Donald Trump on Saturday (November 30, 2024) nominated close confidante Kash Patel for the powerful position of Director of the Federal Bureau of Investigation, making him the highest-ranking Indian American in his incoming administration.

“I am proud to announce that Kashyap ‘Kash’ Patel will serve as the next Director of the Federal Bureau of Investigation. Kash is a brilliant lawyer, investigator, and ‘America First’ fighter who has spent his career exposing corruption, defending Justice, and protecting the American People,” Mr. Trump announced on Truth Social, a social media platform he owns.

Mr. Trump said Mr. Patel played a pivotal role in uncovering “the Russia, Russia, Russia Hoax,” standing as an advocate for truth, accountability, and the Constitution. Mr. Patel, 44, served as chief of staff to the Acting United States Secretary of Defense in the last few weeks of the Trump Administration in 2017.

“Mr. Kash did an incredible job during my First Term, where he served as Chief of Staff at the Department of Defence, Deputy Director of National Intelligence, and Senior Director for Counterterrorism at the National Security Council. Mr. Kash has also tried over 60 jury trials,” he said.

“This FBI will end the growing crime epidemic in America, dismantle the migrant criminal gangs, and stop the evil scourge of human and drug trafficking across the Border. Mr. Kash will work under our great Attorney General Pam Bondi, to bring back Fidelity, Bravery, and Integrity to the FBI,” Mr. Trump said.

Who is Kash Patel?

New York-born Mr. Patel has his roots in Gujarat. However, his parents are from East Africa — mother from Tanzania and father from Uganda. They came to the U.S. from Canada in 1970. “We are Gujarati,” he had told PTI in an earlier interview.

The family moved to Queens in New York — often called as Little India — in the late 70s. It is here that Mr. Patel was born and grew. Mr. Patel’s parents are retired now and spend their time in both the U.S. and Gujarat. After his schooling in New York and college in Richmond, Virginia, and law school in New York, Patel went to Florida where he was a state public defender for four years and then federal public defender for another four years.

“So, lots of trials, lots of international investigations, lots of time in court, understanding the federal system and trying cases and learning how to run investigations,” he said.

From Florida he moved to Washington DC as a terrorism prosecutor at the Department of Justice. Here he was an international terrorism prosecutor for about three and a half years. During this period, he worked on cases all over the world, in America in East Africa as well as in Uganda and Kenya.

While still employed by the Department of Justice, he went as a civilian to join Special Operations Command at the Department of Defense. At the Pentagon, he sat as the Department of Justice’s lawyer with Special Forces people and worked interagency collaborative targeting operations around the world.

After a year in the position, Congressman Davin Nunes, Chairman of the House Permanent Select on Intelligence Committee, pulled him as senior counsel on counterterrorism. After April 2017, he spearheaded the Russia investigation of the House Intelligence Committee. It was here where he attracted media attention and played a key role in drafting a GOP memo, which, according to then-President Donald Trump, exposed the role of Democratic party and its leadership in the Russian investigation.

The New York Times described this as a “Kash Memo.” Patel said that this was a “great team effort.”

Mr. Patel is an Ice hockey fan and has been playing the sport since he was six. “I still play and I spend a lot of time volunteering coaching youth hockey in the area.”

Mr. Patel, who attended both the Houston and Ahmedabad rallies of Mr. Trump and Prime Minister Narendra Modi in September 2019 and February 2020, had earlier told PTI that the bilateral relationship had deteriorated under the Biden Administration.

“President Trump and Prime Minister Modi had an extraordinary relationship with respect. And they were working together to counteract the things like Chinese aggression, not just on the Indian border but on the global stage. They were also working together to counteract things in Pakistan when it came to counterterrorism matters and hostage situations,” MR. Patel said.

The two leaders knew that not only the strong relationship but also allowing the economies of scale to be built in India and America were mutually beneficial, Mr. Patel said.

Last fall he wrote the book ‘Government Gangster’ which argued that there is a severe lack of accountability. The book talks about the deep state and is highly critical of the U.S. bureaucracy, which he claims is highly infiltrated or dominated by lawbreakers.

Responding to a question, Mr. Patel then told PTI that the Biden Administration and the deep state are interwoven.

“The Biden administration is filled by these corrupt government gangsters who I list in the back of my book by name and title. It’s not a Democrat or Republican thing. It’s an apolitical thing that these individuals, whether they’re Trump appointees like Christopher W Ray or Biden appointees like Merrick Garland, they are led to this two-tier system of justice where they weaponise government and intelligence and law enforcement to target either conservatives or Trump supporters or call people on January 6th, domestic terrorists,” he said.

source/content: thehindu.com (headline edited)

55th IFFI, Goa: ‘Stories are more powerful than any single technology’

The ‘Film Festival Directors’ Round Table’ was held Thursday, moderated by Shekhar Kapur, the festival director of 55th IFFI, Goa.

EVEN though the world of cinema is fast evolving, boosted by technological advances, there is one thing that remains constant: the collective experience of watching a movie on a large screen.

The ‘Film Festival Directors’ Round Table’ was held Thursday, moderated by Shekhar Kapur, the festival director of 55th IFFI, Goa. The panel featured CEO of the Toronto International Film Festival Cameron Bailey, artistic director of the Locarno Film Festival Giona Nazzaro, and Festival producer of Edinburgh International Film Festival Emma Boa. They believe that even though “technology will keep changing, the powerful thing about cinema is that it’s watched together”.  Expressing his concerns over people getting hooked to short videos and reels while “around 10% of the world is watching cinema as we know it”, Kapur wondered if they had the responsibility to protect cinema.

Bailey believed that “stories are more powerful than any single technology”. He said: “Technology will keep changing but the powerful thing about cinema is that it’s watched together. That amplifies the emotion, the experience and what viewers take back with them. But we can’t hide what technology has done to screen storytelling. That is more powerful today since people are watching on their phone or laptop. But the collective experience should be protected.”

For Nazzaro, “cinema is a technology-oriented art form”. The problem with the technology, he believed, was that it can hijack what the audience needs. “Nowadays, we don’t say films anymore, we say content. Films are not content. They are art. They are still people who are yet to make their first short film or feature. They need to defend the idea that what they are going to say (through their movies) could be art.”

source/content: indianexpress.com (headline edited)