Tag Archives: Records of India

NATIONAL RECORDS: WORLD RECORD FOR AN INDIAN ARTIST: Amrita Sher-Gil’s ‘The Story Teller’ sets Record for Highest Price of Rs.61.8 crore, Achieved by an Indian Artist on September 16th, 2023 by-passing the Previous Record held by S H Raza’s ‘Gestation’ of Rs. 51.7 crore

Amrita Sher-Gil “sought inspiration in Pahari paintings” to paint The Story Teller.

Painted during an important period in her oeuvre, Amrita Sher-Gil’s 1937 canvas The Story Teller sold for a whopping Rs 61.8 crore ($7.44 million) on September 16, setting a world record for the highest price achieved by an Indian artist.

The iconic work led Saffronart’s Evening Sale: Modern Art, which featured more than 70 artworks from prominent artists, including significant works by modern masters V S Gaitonde and S H Raza, and early works by Tyeb Mehta, M F Husain, F N Souza, and Akbar Padamsee.

Before this sale, the most expensive Indian artwork sold at an auction was S H Raza’s Gestation, which had fetched ₹51.75 crore.

Describing the significance of the Sher-Gil artwork, a note released by Saffronart before the auction had pointed out it was executed “during an important formative period in the artist’s oeuvre that saw her European and Indian influences merge into a unique artistic language”.

In one of the “few works that she painted en plein air”, the release added, “The dominant subjects are women—who feature in many of her works—depicted as close-knit figures, crafting an inherent intimacy within the canvas. The work is an example of the artist’s most honest and expressive compositions, one that Sher-Gil herself was especially fond of as evidenced by the numerous mentions of this work in her letters.”

A note on The Story Teller on the Saffronart website quotes art connoisseur Karl Khandalavala suggesting that “it sought inspiration in Pahari paintings”. “The cows, the women folk, and the setting, though all far removed in technique from those of Basohli miniature, are pregnant with its lyricism and vivid colour,” states Khandalavala.

Born in 1913 in Budapest to an Indian Sikh aristocrat father and Hungarian-Jewish opera singer mother, Sher-Gil was eight when she moved to Shimla. Though she was already painting, her uncle Ervin Baktay encouraged her to develop her own vocabulary and pursue formal training.

source/content: indianexpress.com (headline edited)

GLOBAL & NATIONAL: INFORMATION TECHNOLGY: Infosys Only Indian Firm in TIME Magazine’s World’s Best 100 Companies list

The list, curated by TIME and Statista, is dominated by global Big Tech companies like Microsoft, Apple, Alphabet and Meta Platforms which were the top four companies on the list.

IT major Infosys is the only Indian company featured in TIME Magazine’s top 100 ‘World’s Best Companies 2023’ list, dominated by Big Tech.

The Bengaluru-based professional services firm has been ranked 64th spot in the top 100 list.

“Infosys has been featured in TIME World’s Best Companies 2023 list. We are among the top 3 global professional services firms and the only brand from India in the Top 100 global rankings,” the company said in a post on X (formerly Twitter).

The list, curated by TIME and Statista, is dominated by global Big Tech companies like Microsoft, Apple, Alphabet (Google’s parent company) and Meta Platforms which were the top four companies on the list.

Other top companies in the coveted list are Accenture, Pfizer, American Express, BMW Group, Dell Technologies, Louis Vuitton, Delta Air Lines, Starbucks, Volkswagen Group, General Motors, Ford and others.

The list is based on a formula of revenue growth, employee-satisfaction surveys, and rigorous environmental, social, and corporate governance (ESG, or sustainability) data. Big Tech had a tough year, laying off tens of thousands of workers since January.

But the world’s biggest tech companies are also the ones doing best for investors, employees, and the planet.

“Microsoft, for example, the top company in the global rankings, made $72 billion in its most recent fiscal year, a 63 per cent increase from 2020, while also reducing overall emissions by 0.5 per cent,” said TIME.

Accenture, based in Dublin, had the highest ESG ranking of any company on the list.

“The rankings show just who dominates the world economic order, with fast-moving tech and business-services companies unseating the manufacturers and consumer-goods companies that once drove the global economy,” the magazine said.

source/content: newindianexpress.com (headline edited)

NATIONAL: 15 September – National Engineers Day: The Story of M Visvesvaraya, India’s Pioneering Civil Engineer

Having played a role in major public works projects across the nation, he later served as the 19th Dewan of Mysore and wrote two books on the Indian economy. Here is a look at his life and his legacy.

September 15 is marked as the birthday of Sir Mokshagundam Visvesvaraya (1861-1962), credited for his role as a civil engineer and administrator in colonial India.

Born on September 15, 1861, in the Muddenahalli village of Karnataka, Visvesvaraya completed his school education in his hometown and later on went to study Bachelor of Arts at the University of Madras. He then pursued a diploma in civil engineering at the College of Science in Pune. Having played a role in major public works projects across the nation, he later served as the 19th Dewan of Mysore and wrote two books on the Indian economy. Here is a look at his life and his legacy.

After completing his engineering from the Poona College of Science, Visvesvaraya accepted an offer to work as an Assistant Engineer in the Public Works Department (PWD) of the Government of Bombay. He was 22 at the time and one of his first projects was to construct a pipe syphon across one of Panjra river’s channels. On November 15, 1909, he joined the Mysore service as Chief Engineer, ultimately assuming the position of the 19th Dewan of Mysore.

However, he took voluntary retirement in 1918 because he did not agree with the proposal to set aside state jobs for the “non-brahmin” community. After his retirement, he presided as chairman or became a member of various committees including the Bombay Technical and Industrial Education Committee, Bombay University Committee for Promoting Chemical Industries and the Cauvery Canal Committee.

M Visvesvaraya’s significant works

Some of his significant works include the introduction of the block system of irrigation in the Deccan canals in 1899, solving the problem of the “muddy and discoloured” water in the city of Sukkur located on the banks of the Indus river and inventing automatic gates meant to regulate the flow of water in reservoirs, which is patented.

According to Vigyan Prasar, “The objective of the Block System of Irrigation was ‘to distribute the benefits of an irrigation work over a large number of villages and to concentrate the irrigation in each village within blocks of specified limits and in selected soils and situations’”. The Krishnaraja Sagar Dam in Karnataka was the first to install these gates in the 1920s.

He also travelled abroad a few times and sought to understand aspects of other countries’ systems. In Italy, he studied for two months the soil erosion problem and their irrigation and drainage works. While there, he also took a trip to the sewers of Milan, accompanied by the Chief Engineer responsible for the Milan Drainage Works and asked him some particularly “large questions” which the officer was confused about, since he thought that British officers would be responsible for all such “higher work”. To this, Visvesvaraya responded that Indians’ services were appreciated and utilised if they had the necessary qualifications and worked hard.

In a speech delivered on March 16, 1912, at Central College Bangalore , Visvesvaraya said: “As compared with Europe, our climate and traditions all pre-dispose us to a life of inaction and ease. We are influenced either by religious sentiment, class patriotism or belief in kismet, whereas the activities of Western nations rest on an economic basis. While they think and act in conformity with economic necessities, we expect to prosper without acquiring the scientific precision, the inventive faculty, the thoroughness, the discipline and restraints of modern civilisation.”

On another occasion, he said: “Progress on modern lines is a necessity. We cannot afford to ignore scientific discoveries which have almost vivified material nature. Past ideals were for past times. We must adopt ourselves to the everlasting conditions of existence or be content to be left behind in the race for material prosperity.”

Visvesvaraya pleaded for a “self-examination not moral or spiritual, but secular – that is, a survey and analysis of local conditions in India and a comparative study of the same” with those in other parts of the globe.

His books, “Reconstructing India” and “Planned Economy of India” were published in 1920 and 1934, respectively.

On Education

During his three-month visit to Japan in 1898, Visvesvaraya realised that education largely determines the health of an economy. In his, “Memoirs of Working Life”, which was published in 1951, he noted that while in Japan there were some 1.5 million girls in school, there were only over 400,000 of them in Indian schools, “notwithstanding the vastly greater population in our country”.

Visvesvaraya was instrumental in the setting up of the University of Mysore in July 1916, as he was the Dewan of Mysore at the time. He believed that the aim of an educational institution should be in line with the “state of the country’s civilisation and of its material prosperity”, and that the conditions inside a university should not be very different from the ones a student has to encounter in real life.

After taking a voluntary retirement from state service in 1918, he continued work including on the Mysore Iron and Steel Works and established the Sir Jayachamarajendra Occupational Institute in Bangalore in 1943, which was later renamed Sir Jayachamarajendra Polytechnic. This institute was meant to impart special training to technicians keeping in mind the impending industrial development of India.

source/content: indianexpress.com (headline edited)

INTERNATIONAL: DEFENCE / INDIAN AIR FORCE / MAKE IN INDIA : Airbus Defence & Space hands over First of the 56, C-295 Transport Aircraft to IAF at a ceremony in Spanish city of Seville. The 1st Make in India C-295 will roll out from Vadodara in 2026.

The final assembly line for the C295 aircraft in Vadodara is set to be operational in November next year.

Chief of Air Staff Air Chief Marshal VR Chaudhari on Wednesday received the first of the 56 C295 transport aircraft two years after India sealed a Rs 21,935-crore deal with Airbus Defence and Space to procure the jets to replace its ageing Avro–748 fleet.

Air Chief Marshal Chaudhari, receiving the aircraft at the aerospace major’s production facility in the southern Spanish city of Seville, described it as a “momentous day” for the IAF and India as 40 C-295 out of the total fleet will be manufactured in Vadodara.

“It is a momentous day for us, for the Indian Air Force in particular, and a nation as a whole to receive the first aircraft which marks the beginning of a new era, wherein we will be manufacturing 40 of these aircraft in India,” he said.

Under the deal, Airbus will deliver the first 16 aircraft in ‘fly-away’ condition from its final assembly line in Seville by 2025 and the subsequent 40 aircraft will be manufactured and assembled by Tata Advanced Systems (TASL) in India as part of an industrial partnership between the two companies.

“It gives a tremendous boost to the capability of moving our forces to the frontline when required,” Air Chief Marshal Chaudhari said.

The Chief of Air Staff also took a sortie on the new aircraft.

The C295, in transport configuration and with an indigenous electronic warfare suite, will leave Airbus’ production site in Seville for Delhi on September 15. It will be piloted by a joint IAF-Airbus crew.

“While the first aircraft was rolled out from Spain, the 17th aircraft will be assembled at the final assembly line in Baroda in 2026. It will mark a historic moment as the first time a military transport aircraft will be fully manufactured in India,” Air Chief Marshal Chaudhari told PTI.

The first ‘Make in India’ C295 will roll out of the Vadodara final assembly line in September 2026 in what will be a milestone for the Indian aerospace industry. The final aircraft is expected to be delivered to the IAF by August 2031.

“It was only two years ago that we signed this contract with India, the largest order in the history of the C295,” said Jean-Brice Dumont, Airbus’ Head of Military Air Systems.

“Today, we are enhancing the capabilities of the Indian Air Force and modernising its transport fleet by delivering the first aircraft on schedule. This is the beginning of an exciting and long-term journey with the Indian Air Force,” he said.

The production of components of these aircraft has already started in the Main Constituent Assembly (MCA) facility in Hyderabad, southern India. These parts will be shipped to the Final Assembly Line (FAL) in Vadodara which is expected to be operational by November 2024.

In October last year, Prime Minister Narendra Modi laid the foundation stone of the manufacturing facility for C295 planes in Vadodara. It will be the first military aircraft to be manufactured in India by a private consortium.

The Indian Air Force (IAF) is procuring the C295 aircraft to replace its fleet of ageing Avro-748 planes that entered the service over six decades back.

The global C295 programme comprises a total of 280 orders from 39 operators, making it an unmatched aircraft in its weight and mission class, the plane maker said.

The C295 is known to be a superior aircraft used for tactical transport of up to 71 troops or 50 paratroopers, and for logistic operations to locations that are not accessible to current heavier aircraft.

The aircraft can airdrop paratroops and loads, and also be used for casualty or medical evacuation.

The aircraft is capable of performing special missions as well as disaster response and maritime patrol duties.

After the mega deal was finalised last year, Airbus said the C295 programme will see the company bring its complete bouquet of world-class aircraft manufacturing and servicing to India in collaboration with its industrial partners.

In May, the first C295 aircraft built for India successfully completed its maiden flight in Seville. The second one is in the final assembly at the Seville facility and is scheduled to be delivered to the IAF in May next year.

Six pilots from the IAF and 20 technicians have already undergone extensive training at the Seville facility.

The final assembly line for the C295 aircraft in Vadodara is set to be operational in November next year.

Officials said the IAF will be the world’s largest operator of the C295.

Except for the headline, this story has not been edited by The Telegraph Online staff and has been published from a syndicated feed.

source/content: telegraphindia.com (headline edited)

NATIONAL & INTERNATIONAL AUDIENCE: Ensemble of 78 Instrumentalists to Perform for World Leaders attending G20 Summit

The performance ‘Bharat Vadya Darshanam’ — Musical Journey of India — by the ‘Gaandharva Aatodyam’ group will be showcased during the ceremonial dinner that will hosted by President Droupadi Murmu.

Celebrating the rich tapestry of the country’s musical heritage, an ensemble of virtuoso instrumentalists bringing different styles of classical and contemporary music will perform for world leaders attending the G20 Summit here, according to an official brochure of the programme.

It will feature Indian classical musical instruments such as santoor, sarangi, jal tarang and shehnai, among others, which have been conceptualised by the Sangeet Natak Akademi, according to the brochure.

The ensemble is a “unique and groundbreaking musical presentation, a harmonious journey of Bharat through music,” reads the concept note in the brochure.

Some of the prominent styles that will be depicted include Hindustani, Carnatic folk and contemporary music, it says.

“This journey will take us through all parts of India through their representative music. Our co-traveller will be the ‘Gaandharva Aatodyam’ with an ensemble of 78 traditional instrumentalists from all over the country,” the official brochure reads.

“This pioneering programme celebrates the rich tapestry of Bharat’s musical heritage, bringing together virtuoso instrumentalists who infuse their unique styles into a mesmerising symphony of sounds. With this innovative blend, the ensemble not only showcases the cultural depth of India but also creates an auditory experience that transcends regional boundaries,” it says.

The performance will begin with compositions of Vilambit Laya (slow tempo), followed by Madhya Laya (medium fast tempo), ending with few scores in Druta Laya (fast tempo), officials said.

The ensemble includes 34 Hindustani musical instruments, 18 Carnatic musical instruments and 26 folk musical instruments from across India.

The 78 artists include 11 children, 13 women, six differently-abled (divyang) artists, 26 young men and 22 professionals, the brochure says.

“We will immerse in some of the most ancient Vedic musical instruments, tribal instruments, and folk instruments alongside classical musical instruments creating a beautiful soundscape. The participating musicians too are hailing from different regions of India, playing an array of traditional instruments in their traditional attire,” it adds.

The musicians will play instruments in traditional attires of the region they belong to, officials said, adding, that this first-of-its-kind initiative ensemble exemplifies the power of music in celebrating the country’s diverse artistic expressions in a truly aesthetic manner.

The G20 Leaders’ Summit is slated to be held at the newly-built international convention and exhibition centre — Bharat Mandapam — at Pragati Maidan from September 9-10.

The G20 dinner for the heads of state and other top leaders will be hosted at the Bharat Mandapam.

In the official invitation for the ceremonial dinner sent out by the Rashtrapati Bhavan, President Droupadi Murmu was addressed as the “President of Bharat”.

source/content: newindianexpress.com (headline edited)

INTERNATIONAL: PHOTOGRAPHY AWARD WINNER: How Paris-based, Kolkata’s Neha Ganeriwal Captured ‘Fedal’ & Won in the Independent Photograper Category at the Prestigious ‘2023 World Sports Photography Awards’

Neha recalls the Rafa-Roger day that changed her life, how the same ‘boys’ gave her the best photo of her career, and more.

When Roger Federer and Rafael Nadal held hands at the end of the last competitive match of the former’s career at the 2022 Laver Cup, tears flowed. First, from the eyes of the two tennis GOATs at London’s O2 arena. And then, from millions of their admirers around the world. However, were it not for one Neha Ganeriwal, many would never have witnessed that iconic moment. It was Neha, originally from Kolkata’s Hindustan Park but currently based in Paris, who snapped ‘Fedal’ at their most human, providing one of the most enduring sports images of 2022.

Almost a year later, that image has been adjudged as the winner (out of more than 800 submissions) in the Independent Photographer category of the 2023 World Sports Photography Awards, sponsored by IMAGO, which is the largest and most prestigious competition of its kind. Additionally, two other photos taken by Neha (as well as the ‘Fedal’ one) at the aforementioned Laver Cup finished as finalists in the tennis category of the awards.

Days after her victory, Neha, 42, spoke to My Kolkata, via a video call connecting a wet Kolkata and an equally drenched Paris, reflecting on the ‘Fedal’ image, her journey, her most memorable clicks and more. Edited excerpts from the conversation follow.

My Kolkata: Congratulations on your win! Has the achievement sunk in yet?

Neha Ganeriwal: It’s been overwhelming! I was on vacation when I got the news. It was my first time applying to any award, so I couldn’t have been happier. It’s been a barrage of congratulatory messages since I found out on email (from the sponsors and organisers) that I had won, sometime in the middle of August. What makes me even more delighted is that these are the only dedicated sports photography awards in the world.

‘I had blurry vision because of my tears and was quite worried about the photo’

The image that won you the prize is one of the most moving and shared sports photos of the past year. Talk us through how you captured it.

Before I’m a photographer, I’m a tennis fan. And I was bawling at the time, it was so emotional! I had blurry vision because of my tears and was quite worried about the photo. I was certain that the camera had shaken. The lighting wasn’t great, either, and we were all just clicking away… Federer had just given a speech and he came to sit down. Then a singer took centrestage. A lot of people went towards her, but, for some reason, I kept tracking Federer. He sat down, and just for a split second, he happened to reach for Nadal, for comfort, first touching Nadal’s thigh and then his hand. That’s when I clicked. I had no idea how the results were until I downloaded my work on my laptop. And then, of course, the image went viral. There were two or three photographers who got a similar shot, but depending on which part of the world you were in, you got to see my image.

Why did you choose to submit the photo in black and white?

The actual image has a lot of blue. The background is sort of purple-ish and there’s a bit of white, too. There’s a lot of colour and that distracts from the emotion of the moment. I usually prefer black and white photography, as that helps to train the eye and take it to whatever you want by cutting out all the distractions. That’s why I went for monochrome and I think that’s also why it won.

You named the photo as “Boys don’t cry”. It seems ironic at two levels. First, because the subjects in the photo are actually crying. Second, because there is a suggestion that boys become men when they are comfortable displaying their emotions openly. Would that be a reasonable reading of your caption?

Exactly, that’s right. There’s also a third point to it. There’s this whole myth that men can’t be “weak” or show emotions. Nobody would use the adjective “weak” for Nadal, though. There’s probably no fiercer athlete than him on the tennis court. But there he was, in tears, underlining how even the greatest are also human beings with emotions, perhaps even more so than the rest of us. And there’s nothing weak about that.

‘I know that both Federer and Nadal have seen the photo’

Do you know if Federer and/or Nadal saw your photo? Did any of them reach out or speak to you about it?

I know that both Federer and Nadal have seen the photo. I haven’t met Federer since, but I hope to hear from him in person soon, possibly at some event later this year. I’m actually working on a photo book, combining other unreleased photos, which I’d like to present to Federer. As for Nadal, I met him in November and got him to sign a copy of the photo. We had a little chat about it and he was a bit embarrassed about it all!

‘That one day in Madrid had changed my life… I knew nothing about photography but jumped right into the deep end’

Going back in time, how did your journey as a sports photographer begin? And what did meeting Federer and Nadal (those boys, again!) a decade ago have to do with it?

The photo was a full circle moment for me. I was born and brought up in Hindustan Park in Kolkata. I went to La Martiniere for my schooling and then studied at the National Institute of Fashion Technology (NIFT), before completing my master’s in fashion designing in Milan. A personal tragedy made me settle in Europe about 15 years ago. But I wasn’t working in sports at all. I was a professional fashion designer living the corporate life. Everything was good, but I felt that something was missing. I was climbing the ladder that we’re told to climb, but I never felt that it was mine to climb. I had always been a sports fan. Growing up, I used to go to Ordnance Club (in Kolkata) to play tennis with my father, was in my school swimming team and used to love watching Michael Schumacher in his Ferrari.

Exactly a decade ago, the Rafa Nadal Foundation was having an event in Madrid and I somehow managed to get a pass for that. I almost didn’t go because my resources were limited. But I finally took the plunge, not knowing what to expect. When Federer and Nadal entered the room, they shook hands with absolutely everyone. It was a stark contrast to the glamour industry I was used to, where everyone was inaccessible and god-like. We spent the entire day with the two of them. There was a press conference, a session with kids, a match and a gala. Just seeing the energy and just how the two of them were, I went back to being a sports lover, in between the emotional trauma that was going on for me personally.

I came back thinking that I have to find a way to be a part of that sporting world. So, I got an extra job to pay for a camera, acquired skills and read like a mad woman! I knew nothing about photography but jumped right into the deep end. That one day in Madrid had changed my life. I had found what my soul really wanted, to be around brilliant but normal, wonderful human beings.

What have been some of your other most memorable photos till date?

Capturing Federer winning his 10th Swiss Indoors Basel title (in October 2019) was special. He had started out over there as a ballboy and that was the last time he was going to be playing there. That was really emotional, Federer was crying again. Nadal winning his 10th Roland Garros (in 2017) would be up there, too. Nobody expected him to win that one, but he did. I got a special photo between him and Toni [Nadal] back then.

n football, there was the Euro 2016 final, when Portugal beat France, and Ronaldo was lapping it all up. He was injured and substituted, and there were some really great shots of him stepping up as an additional manager. And, of course, Messi was here [in Paris] for the last two years, which produced some nice shots of him along with Kylian Mbappe and Neymar. Just the sheer starpower in the same frame was special.

Of all the great athletes you have been around and photographed, who has surprised you the most?

Zlatan Ibrahimovic was really interesting! He has this aura of arrogance, but that’s a persona for the camera. He’s the nicest guy you can meet. Of course, he can get annoyed if you poke him or rub him the wrong way, but he’s generally super nice.

‘I can tell which side Mbappe is going to run after he scores a goal or when Djokovic is going to smash his racket’

Given you predominantly cover tennis and football across Europe, what are the different challenges concerned with each sport? Both institutionally and technically.

In terms of institutional challenges, breaking in wasn’t easy. I had to create my own path. When I started, the internet wasn’t the way it is now. Getting in touch with press managers and press officers and getting accredited to FIFA or UEFA was complicated. I had to learn multiple languages, including Italian and French. All of that took time.

The technical aspect took a lot of education and learning, most of which happened on the pitch or the court. Which place to be in, where the players’ teams are and all that. After some experience, you know exactly what the athletes are going to do. For instance, I can tell which side Mbappe is going to run after he scores a goal or when [Novak] Djokovic is going to smash his racket in frustration and yell at his team. There are also the technical fundamentals, such as shutter speed, but that’s about skill acquisition. About putting your ego aside and learning. At the same time, hard as the challenges have been, my colleagues have been amazing and have always answered my questions.

On the ground during match days, tennis gives you more space to move around. I go for close-ups when in doubt. The top positions are always free in tennis. In football, movement is more limited. I can’t always choose my position. Mentally, I make a list of the players I need to photograph. Then, I choose my end and usually go for the one where the home fans are sitting, as it makes for a better background. Then there are the lenses, which also affect the images. Generally, I have less options for lenses when I’m travelling farther.

‘Learning from Nadal, at no point did I give up’

Sports photography still remains a male domain for the most part. How much of your experience so far has been shaped by your gender?

Whenever I walk into those photographers’ rooms, more for football than tennis, I’m usually the only person of colour, often the only woman, too. European football is completely male-dominated. It wasn’t easy when I started, but I’ve become accustomed to it now. Initially, I didn’t want to come across as brash. At the same time, I wanted to be taken seriously. To have people treat me with respect and not dismiss me was challenging. However, at no point was I completely disillusioned. Learning from Nadal, at no point did I give up.

‘I’d love to be a part of some professional event in Kolkata’

Coming to your Kolkata connection, how often do you come back? What are your favourite things to do in the city?

I spent the first 25 years of my life in Kolkata. My parents are still there, so I try to come back every six months. It’s just about downtime for me. I love the street food, like the phuchka and the papdi chaat near Lake Kalibari. Strangely, I haven’t shot anything in Kolkata yet. I’d love to be a part of some professional event in the city, particularly given how big football is back home.

‘My dream is to photograph an Indian winning an Olympic medal, ideally gold!’

What are you most looking forward to in terms of upcoming events? Is there a dream shot that you are still chasing?

I’m really looking forward to next year’s Olympic Games (in Paris). My dream is to photograph an Indian winning an Olympic medal, ideally gold! Then, I’ll probably have to choose between the Euros (in Germany) and the Copa America (in the US). I do want to click Messi with a trophy, since I couldn’t do the World Cup (in Qatar) last year.

‘Do what you do for the right reasons, for your reasons’

Lastly, what would your advice be to budding photographers, especially those wanting to document sports?

No matter what you do, it’s going to be hard, so it’s much better to figure out what it is that you’re willing to suffer for. Do what you do for the right reasons, for your reasons.

Moreover, sports mirror life. There’s no instant gratification, no substitute for consistency. It’s the small successes that lead to the big triumphs. Today, I’m talking about my award, but nobody apart from me has seen those days when all I wanted to do was stay in bed. But I pushed myself, went out in the rain and stood there for four hours. I did it because I love it. As Nadal has taught the world, show up everyday and do the basics. Think of the number of matches he has won simply because he refused to go away. If you do that, things eventually fall into place.

source/content: telegraphindia.com / my-kolkata (headline edited)

NATIONAL: AGRICULTURE: SCIENCE & TECHNOLOGY: Prestigious M.S. Swaminathan Award for Scientist P V Satyanarayana for his Outstanding Contributions to Agriculture in 2021-22

P V Satyanarayana, principal scientist at the Agricultural Research Station, Acharya N.G. Ranga Agricultural University, Ragolu, has been awarded the prestigious M.S Swaminathan Award for his outstanding contributions to the field of agriculture during the period 2021-2022.

Satyanarayana’s pioneering work involves the development of high-yielding rice varieties that exhibit resilience against various pests and environmental challenges, including BPH, BLB, Blast, Submergence, and salinity. Additionally, he has made substantial contributions to fine-grain varieties and hybrid rice that have revolutionised agriculture across India.

P V Satyanarayana, currently serving as the Principal Scientist at the Agricultural Research Station, Acharya N.G. Ranga Agricultural University, Ragolu, boasts an impressive list of awards including the National Award as Team Leader for the Best Golden Jubilee AICIP Centre Award in 2015 and the Best Scientist Award by the Seedman Association in 2021.

This award was presented at an event at Indian Institute of Rice Research (IIRR), Hyderabad on Sunday. This biennial national award, jointly constituted by the Retired ICAR (Indian Council of Agricultural Research) Employees Association (RICAREA) and Nuziveedu Seeds Limited (NSL), includes a cash prize of Rs. 2 Lakhs and a gold medal.

Himanshu Pathak, Director General, ICAR and Secretary, Department of Agricultural Research and Education (DARE) was the chief guest at the event. Dr. R.S. Paroda, former DG, ICAR and others were present.

The award selection committee headed by Dr. A Padma Raju, Vice Chancellor of ANGRAU, recognised Dr. PV Satyanarayana for his invaluable contributions.

Prabhakar Rao, Chairman and Managing Director (CMD) of Nuziveedu Seeds Limited, noted that this prestigious award has been conferred upon eight individuals to date, with four of them hailing from the Telugu-speaking states.

Referring to the ban on rice exports, he stated that if the government maintains sufficient stocks and promotes exports, it could prove advantageous for farmers. Prabhakar Rao said Nuziveedu Seeds are actively engaged in research related to high-density farming in cotton, which promises a 30-40 per cent increase in yield. With appropriate management practices, this could escalate to 50-60 per cent higher yields compared to conventional varieties.

The Retired Indian Council of Agricultural Research Employees’ Association (RICAREA) was established in 1997 with the primary mission to promote the cause of agriculture based on the ideals and objectives of the Indian Council of Agricultural Research (ICAR).

Nuziveedu Seeds Limited (NSL), operating for nearly 50 years, stands as one of India’s largest seed companies. NSL is engaged in crop improvement projects spanning over 30 crops, with breeding stations located across the country, covering a wide range of agro-climatic conditions.

source/content: daijiworld.com (headline edited)

NATIONAL: LANGUAGE: 31 August -World Sanskrit Diwas 2023: Know the date, history, significance and more

Sanskrit is thought to be around 3500 years old, making it part of the ancient Indo-Germanic or Indo-Aryan language family.

Sanskrit Diwas, also known as Vishwa Samskrita Dinam, is celebrated annually on the full moon of Shravana. The 31st of August is Sanskrit Diwas this year. This annual event honours Sanskrit, one of the world’s oldest living languages and a cultural treasure in India.

Sanskrit, sometimes called the “Mother of All Languages,” is an important part of human history and culture. The traditional works in several disciplines, including Literature, Philosophy, Mathematics, and Science, were originally written in Sanskrit, giving the language immense importance.

History

The Government of India’s Ministry of Education proclaimed the World Sanskrit Day. In 1969, on the day of Shraavana Poornima, people began commemorating this special day. Sanskrit is thought to be around 3500 years old, making it part of the ancient Indo-Germanic or Indo-Aryan language family. It is the source of the Latin and Greek languages and has the most extensive vocabulary. Hundreds of thousands of people worldwide, not only in India, consider it to be their native tongue.

Sanskrit has influenced Europe as much as the Indian subcontinent. Sir William Jones, an English scholar who admired Indic languages, travelled to India in 1783 and started researching the language. This makes Sanskrit one of the oldest languages throughout the globe.

Sanskrit linguist Panini developed the Ashtadhyayi, the eight-chapter grammar manual. He led the world in spoken Sanskrit. India honours Panini on World Sanskrit Day. This day sees several Kavi Sammelan activities for authors and students throughout and beyond.

Significance

The historic event in India honours Sanskrit’s rich cultural history and scientific accomplishments. It tries to expand the language beyond Vedas and other Hindu religious texts. World Sanskrit Day promotes this ancient form of communication. Sanskrit Diwas is celebrated to bring attention to and revitalise the ancient language for the modern world.

The Europeans also gave the day its importance in the language. William Jones established the Asian Society and created the English translation of works including Kalidasa’s Abhijnana Shakuntala, Ritu Samhara, and Jayadeva’s Gita Govinda.

In addition, harmony and acceptance are honoured on this special day. Sanskrit is a powerful tool for unity and connecting individuals across the globe.

Sanskrit is fading in India despite its significance in history. The language existed from 1500 to 500 BCE, although it is now lost. Therefore, Sanskrit Diwas was created to restore the language.

source/content: newsroompost.com (headline edited)

INTERNATIONAL & NATIONAL: Prof Pankaj Khanna, Indian Institute of Technology (IITGN) Gandhinagar Joins ‘IODP Expedition 389′ Team as Sedimentologist for Offshore Study of Hawaiian Reefs’ role in Climate Change

Prof Pankaj Khanna, a faculty member in Earth Sciences at the Indian Institute of Technology Gandhinagar (IITGN), has been handpicked as the sedimentologist from India to join an offshore research expedition.

This endeavor, titled ‘IODP Expedition 389,” is a part of the International Ocean Discovery Program (IODP) and aims to investigate climate change patterns through the study of drowned reefs off the coast of Hawaii.

Prof Khanna’s role scheduled to unfold from August 29 to November 1, places him amidst a cohort of 31 leading researchers hailing from various parts of the world. Their collaborative mission will centre on the meticulous drilling and analysis of fossilised coral reefs encircling the Hawaiian islands. This undertaking promises to unearth invaluable insights into the intricate interplay between global sea-level variations and the broader spectrum of climate change on a planetary scale.

Prof Pankaj Khanna, said, “The research cruise will provide critical datasets to dive deep into past sea levels and climate for the last five lakh years for which there are very limited records. The rocks collected through scientific drilling will give critical information on mechanisms that control abrupt climate change. I will be analysing the core samples that will be collected on the research expedition. I am looking forward to what the drowned reefs offshore Hawaii holds for us to expand our understanding.”

At the heart of this enterprise lies the International Ocean Discovery Program (IODP), a far-reaching collaborative effort encompassing contributions from 21 countries, including India. Its goal is to delve into the annals of Earth’s history, structure, and dynamics through the meticulous collection and examination of seafloor sediments, rocks, and sub-seafloor environments.

Within this framework, the European Consortium for Ocean Research Drilling (ECORD), a key component of IODP, oversees specialised missions such as the ongoing ‘Expedition 389,’ designed to probe submerged reefs off Hawaii’s coastline.

Steered by Co-chief Scientists Prof Jody Webster from the University of Sydney, Australia, and Prof Christina Ravelo from the University of California, Santa Cruz, the expedition will unfold aboard the MMA Valour vessel.

Distinguished by its Benthic Portable Remotely Operated Drill (PROD5) system, the vessel will be home to scientific endeavors that span up to 11 distinct sites. These locales encompass fossil coral reefs encircling Hawaii and hold a treasure trove of climate data spanning significant epochs in Earth’s history.

source/content: daijiworld.com (headline edited)

WORLD RECORD: SPORTS / JAVELIN: Neeraj Chopra Scripts History yet Again, becomes First Indian to Win Gold in World Athletics Championships

The 25-year-old dominated the competition and achieved his best throw of the day in his second attempt.

Olympic champion Neeraj Chopra on Sunday scripted history yet again as he became the first Indian to win a gold medal at the World Athletics Championships with a throw of 88.17m in the men’s javelin final here.

In another first, three Indians finished in the top eight with Kishore Jena (84.77m) and DP Manu (84.14m) taking the fifth and sixth spots, respectively. Never before did three Indians finish in top eight of an event at the World Championships.

The 25-year-old Chopra achieved his best throw of the day in his second attempt. He had a foul to start with, but then got 88.17m, 86.32m, 84.64m, 87.73m and 83.98m.

Pakistan’s reigning Commonwealth Games champion Arshad Nadeem took the silver with his season’s best throw of 87.82m, while Jakub Vadlejch of the Czech Republic got the bronze.

Chopra has now become only the second Indian — after shooter Abhinav Bindra — to simultaneously hold the Olympics and World Championships titles.

Chopra, who had become the first Indian Olympic track and field gold medallist at the Tokyo Games in 2021, had won a silver in the 2022 edition of the World Championships.

Before him, legendary long jumper Anju Bobby George had won a bronze in the 2003 World Championships.

The Indian superstar also became only the third javelin thrower in history to simultaneously hold the Olympics and World Championships titles after the iconic Jan Zelezny of the Czech Republic and Andreas Thorkildsen of Norway.

The Indian men’s 4x400m relay team, however, failed to replicate their show from the heats to finish fifth in the final.

Another title

In men’s pole vault, Sweden’s world record holder Armand Duplantis claimed his second consecutive world title on Saturday, but did not have a seventh world record in him.

The Olympic champion cleared 6.10 metres for gold and then — in what turned into the “Mono show” — missed at three attempts to clear 6.23, which would have been world record number seven for the remarkable 23-year-old.

Uganda’s Victor Kiplangat, the 2022 Commonwealth Games gold medallist, won the men’s marathon on Sunday with a time of two hours 8 minutes 53 seconds.

PTI, Reuters